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Music : Gubaidulina - Orchestral Works
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Gubaidulina - Orchestral Works
from: Chandos
List Price: £15.99CD-Charts Price: £12.69 You Save: £3.30 (21%)Prices subject to change.
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Availability: Usually dispatched within 24 hours
Binding: Audio CD
EAN: 0095115918326
Label: Chandos
Manufacturer: Chandos
Number Of Discs: 1
Publisher: Chandos
Release Date: October 01, 1999
Running Time: 52 minutes
Studio: Chandos
Sales Rank: 126175
Disc 1:- 'Stimmen... Verstummen' Symphony In Twelve Movements: I
- 'Stimmen... Verstummen' Symphony In Twelve Movements: II
- 'Stimmen... Verstummen' Symphony In Twelve Movements: III
- 'Stimmen... Verstummen' Symphony In Twelve Movements: IV
- 'Stimmen... Verstummen' Symphony In Twelve Movements: V
- 'Stimmen... Verstummen' Symphony In Twelve Movements: VI
- 'Stimmen... Verstummen' Symphony In Twelve Movements: VII
- 'Stimmen... Verstummen' Symphony In Twelve Movements: VIII
- 'Stimmen... Verstummen' Symphony In Twelve Movements: IX
- 'Stimmen... Verstummen' Symphony In Twelve Movements: X
- 'Stimmen... Verstummen' Symphony In Twelve Movements: XI
- 'Stimmen... Verstummen' Symphony In Twelve Movements: XII
- Stufen
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Editorial Review:
Amazon.co.uk Review: Like Alfred Schnittke, Sofia Gubaidulina (born in 1931) has a strong current of mysticism in her work; her compositions seem to hint at "higher" levels of perception or cognition. Stimmen ... Verstummen (1986) is a symphony in 12 movements that race up and down the scales--at times in opposition to one another--in compact, sometimes extroverted sound clusters. In between these flights, the composer repeatedly returns to a stabilising D-major triad, which allows the work to cohere. This composition's elements are discordant, but its eventual symphonic argument emerges intact and clear. This is perhaps Gubaidulina's greatest work. --Paul Cook
Average Rating: 
Rating: -
On this, his only all-Gubaidulina release, old friend Rozhdestvensky conducts the Stimmen... Verstummen symphony dedicated to him and also acts as narrator in the other piece Stufen.
The large-scale symphony completed in 1986 uses a full orchestra and, somewhat unusually for this composer, features major parts for all wind-instruments that are occasionally played using extended techniques. Less unusually there are also extensive parts for various percussion instruments including xylophones. Still the music sounds not at all crowded and is scored very transparently, which makes for a fascinating and very colourful atmosphere, especially in the fairytale-like movement that recurs throughout which I suppose makes this a symphonic work rather ... Read More:
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