Availability: Usually dispatched within 24 hours
Binding: Audio CD
EAN: 0724349533523
Format: Original recording remastered
Label: Blue Note
Manufacturer: Blue Note
Number Of Discs: 1
Publisher: Blue Note
Release Date: April 05, 1999
Studio: Blue Note
Sales Rank: 4037
MPN: 95335
Disc 1:- Chitlins Con Carne
- Mule
- Soul Lament
- Midnight Blue
- Wavy Gravy
- Gee Baby Ain't I Good To You
- Saturday Night Blues
- Kenny's Sound
- K Twist
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Editorial Review:
Description: From the first sight of Reid Miles' brilliant typography onthe cover you know what you are getting. Smooth smootchy jazz guitar played at the pace of a slow loris--quite magnificent in its sparing qualities. Mr. Burrell, together with Grant Green and Wes Montgomery, defined this style. "Chitlins Con Carne" is a late-night feast while "Midnight Blue" is smokey and soulful, and yes, Van Morrison did borrow the intro for "Moondance".
Average Rating: 
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Hynotic, subtle and the same time wonderfully soulful this record surely sits within the top five of all time Blue Note releases. It's the ultimate late night session. The consistently wonderfully Kenny Burrell who makes the difficult sound effortlessly simple gives a masterclass in Jazz guitar playing with an endlesss tapestry of smooth licks that melt into the instinctive groove of Stanley Turrentine's sax. It's a partnership made in heaven, they work so languidly off each other on, "Mule" The way Burrell brings in the track on,"Soul lament," with his emotive twanging are classic bars of music. I am also particularly fond of the waltz tempo on,"Wavy Gravy."
This record is wonderfully focussed, Burrell's musical philosophy is stamped ... Read More:
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If I was asked by someone who had no experience of jazz what album would serve as a good introduction to the music, I would unreservedly recommend Kenny Burrell's 1967 masterpiece "Midnight Blue." This was recorded at a time when the boundaries of the music were being pushed ever further out and the technical aspects were becoming increasingly complex. Whilst these developments were commendable, Burrell simultaneously produced this album that consists of nothing more complicated than either of blues or blues based material such as "Gee Baby, aint I good to you." Of course, in the hands of great jazz musicians, the simple form of the blues offers unlimited possibilities and "Midnight Blues" is , perhaps, the supreme example of what can be achieved. ... Read More:
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Well I'd never heard of Kenny Burrell and simply took a punt on this and oh boy its still cooking. I must say, I introduced this album at a party full of hip-hop folks and I do believe I got my point across and a few converted people along the way(they still can't openly admit it though :) ). Wonderful album
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Wonderful indeed… and worthy of inclusion on anyone’s shortlist of the best late night albums ever made. Kenny Burrell’s & Stanley Turrentine’s superbly cool playing combined with strong blues based melodies and lock-tight backings produce music that completely captures the ambience of a smoky club on a hot summer night. Unobtrusive, unforgettable and packed full of low-key jazz virtuosity at its very best.
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I bought this from Amazon because the sax player is Stanley Turrentine, whose "Blue Hour Sessions" (check that one out too readers) is one of my all time favourites. This CD is in a similar vein. Blues rhythms with a jazz feel, but never losing sight of the blues. Every track, including the 2 bonuses is a winner, taking you to the jazz club you wish you had visited last night when you heart was breaking. Kenny Burrell's funky guitar, together with Turrentine's smooth as velvet sax cooks up a bluesy sleazy recipe for the musical gourmet.
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