Availability: Usually dispatched within 24 hours
Binding: Audio CD
EAN: 0042282852229
Label: Universal / Island
Manufacturer: Universal / Island
Number Of Discs: 1
Publisher: Universal / Island
Release Date: June 18, 1999
Running Time: 45 minutes
Studio: Universal / Island
Sales Rank: 367
Disc 1:- Mysterons
- Sour times
- Strangers
- It could be sweet
- Wandering star
- Numb
- Roads
- Pedestal
- Biscuit
- Glory box
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Editorial Review:
Amazon.co.uk Review: The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called To Kill a Dead Man, and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. "Sour Times" (the hit in which Gibbons cries, again and again, "Nobody loves me, it's true") and the more cryptic "Glory Box" are the linchpins of the album, defining its sound: dark flashes of old soul and film music, dehumanised electronic bleeps, Gibbons emoting like she's consumed by shame, and a bass-and-beat pulse derived from the slow bump and grind of the Bristol scene that spawned Barrow's old collaborators, Massive Attack. --Douglas Wolk
Average Rating: 
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put this on after you have got rid of all the losers or u have made it home from the pub.
it oooooozes class.
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I bought this recently and will never play it again. totally unmusical and the lead singers vocals are well over rated. i can think of many far better singers. nothing on this album is original.
i cant see how this album became so well rated on amazon.
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This band came from the same Bristol incubator as Massive Attack and Tricky, and there is the same dreamy Trip-Hoppy character here. Where they part company is the cold steely atmosphere Portishead muster.
Beth Gibbons voice is the thing that defines the sound. Simultaneously bruised, almost wretched yet defiantly independent, her hip delivery, and almost jazz tinged voice brings out complex emotions.This debut album is a remakably strong collection of tunes with few weak links.
The music is creatively quirky, utilising Hip Hop, Jazz, atmospheric pads, angular beats and disjointed guitar. This is alien, but not alienating stuff, and it still sounds real cool and cutting edge now, withstanding endless repeat listens.. A remarkable ... Read More:
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This beautifully haunting record is one of those indispensables that any serious music fan has in their collection. I remember being completely blown away by the originality the first time I heard it. The punchy, nuerotic beats and the cold distant voice of Beth Gibbons. I guess if you could refer to trip-hop as a genre, this has to be it´s signature album. "Mysterons," sounds like a martian landing, Gibbon´s distinctive voice unfurls the track with a steely brittleness. This music sounds purposefully distant and edgy. I like the curling beat on the second track,"Sour times." My personal favourite has to be the intro to the pulsating beat on,"strangers." "It´s a fire," is the only track that sounds slightly out of place. ... Read More:
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I don't know much about Portishead but I fell in love with their style when I first head 'Glory Box' what must now be many years ago (gulp). It was the combination of achingly sexy vocals, the slow throbbing guitars and classical style instrumentation plus some of the most powerful lyrics I've ever heard such as 'give me a reason to love you, give me a reason to be a woman'. Pure musical viagra... I was itching to buy the album and I was not disappointed, in fact I was astounded... 'Glory Box' was just a sublime introduction to this sound. 'Mysterons' has a genuinely other-worldly vibe - and though it has been stolen to introduce many a science fiction season on Sky it still has the ability to tug at you when those spare vocals take hold. On ... Read More:
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