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Music : Cast Of Thousands
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Cast Of Thousands by: Elbow List Price: £5.99 CD-Charts Price: £3.98 You Save: £2.01 (34%)Prices subject to change. |
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Availability: Usually dispatched within 24 hours
Binding: Audio CD EAN: 5033197218120 Label: Commercial Marketing Manufacturer: Commercial Marketing Number Of Discs: 1 Publisher: Commercial Marketing Release Date: July 01, 2006 Running Time: 50 minutes Studio: Commercial Marketing Sales Rank: 375 Disc 1:
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Editorial Review: Amazon.co.uk Review: An astonishingly intense and ambitious album, Elbow's Cast of Thousands is relentlessly experimental. Having toiled for 10 years over their spellbinding Mercury-nominated debut Asleep in the Back, the maverick Bury five-piece--who were initially hailed as the new Radiohead--have produced a worthy sequel in a comparatively short two years. While mirroring their debut's melancholy tone, this album's romantic lyricism and uplifting harmonies inject a fresh dynamic. From the first bar, Cast of Thousands is enthralling. "Ribcage", an exquisite rousing treasure, builds on a languorous and fragmented melody into a cohesive climax while Garvey listlessly intones (with a flat mic taped to his larynx) the charming mantra, "When the sunshine/ throwing me a lifeline/ finds its way in to my room/ all I need is you". Meanwhile, the London Community Gospel choir's spiralling harmonies echo Blur's "Tender" in its lo-fi, mellifluous majesty. But the majority of the album is far less grandiose with the haunting "Snooks (Progress Report)" and "I've Got Your Number" bristling with an unnerving intimacy and brooding dialogue. It's an enchanting return that finds Elbow stretching from despair to lovelorn tenderness. --Christopher Barrett Customer Reviews
Average Rating:
 Rating:  - Love ItElbow have written and performed some of the best music this century (IMO). Beautiful ballads & catchy tunes, Favourite Tracks: Fugitive Motel & Grace Under Pressure Rating:  - Drab, seven thousand shades of greyThe music lacks drive and composure. It drifts seamlessly from one 2-demensional number to another, there are no gates of pleasure, no emotions other than the drab. Too many influences, too much historical rhetoric and too little raw edge - seems to fit with the UK music image, all pretty petticoats and no balls. Rating:  - Moving Rock But Probably Not Everyone's BagIt'd been my experience that the more you listen to Elbow, the better they get. When I was given their first album Asleep In The Back, I just had it on in the background while I read a book. Didn't really think too much about it considering how much my flatmate hyped them up. I liked the first track alright but it didn't throw me out of the chair. A week later I listened to it again but this time I really listened to it. "Hey! This is pretty good," I thought and listened to it twice more that day. I liked it more each time. The new album is made the same way. The first time I listened to it I didn't think it was as good as their first. Then I listened to it again and again and so will you. It sounds a bit more polished than Asleep ... Read More: Rating: - A band on the moveThis album shows a band on form, moving on from asleep in the back (another marvelous album)into a territory full of samples bips and bleeps. The sound is still noticabley that of elbow but the songs are a little more hopefull. From the opening track ribcage ("tear my ribs apart and let the sun inside") to the final song backed by a glastonbury album this is an album to be treasured. Rating: - Elbow show they have grace under pressureAfter Asleep in the Back, an album that took years to create and release, Elbow must have felt the strain when asked to make a follow-up in a much shorter timespace. However, the pressure seems to have worked well as they have made a brilliant second album that shows just how talented these guys are. The great thing about this album is its layers: Elbow really have a thing for attention to detail. All the tracks add layer upon layer to create amazing soundscape-like masterpieces that are at once catchy and melodic. The experimentalism on this album is also catchy. Everything from the offbeat, sometimes jazzy sometimes just odd drumming to the quiet piano, repetitive guitar sounds, melodic offbeat bass and giant gospel choirs ... Read More: |
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