Availability: Usually dispatched within 24 hours
Binding: Audio CD
EAN: 5060006340222
Label: Independiente
Manufacturer: Independiente
Number Of Discs: 1
Publisher: Independiente
Release Date: February 05, 2007
Studio: Independiente
Sales Rank: 2051
Disc 1:- Cler Achel
- Mano Dayak
- Matadjem Yinmixan
- Ahimana
- Soixante Trois
- Toumast
- Imidiwan Winakalin
- Awa Didjen
- Ikyadarh Dim
- Tamatant Tilay
- Assouf
- Izarharh Tenere
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Editorial Review:
Amazon.co.uk Review: Prior to the release of Aman Iman: Water is Life, it seemed that few people had heard of Tinariwen. Formed in a refugee camp in the southern Sahara desert, this Touareg band have released two previous albums since 2001, garnering awards and critical acclaim around the world. But 2007's Aman Iman: Water is Life is probably their best album yet. It's certainly the most accessible, particularly to music fans who would never dream of delving into world music. The circular rhythms of the bass and drums lay down a simple--almost hypnotic--beat, which is then given a rougher edge by the electric riffs of the band's four lead guitarists. It sounds like an even more primal, stripped down blues taken back to its roots (assuming, that is, that the roots of blues were sung in French and Tamashek). Throughout, producer Justin Adams (taking a break from his regular work as Robert Plant's guitarist in Strange Sensation) commendably avoids the high-gloss polish that too often plagues world music albums. This is rebel music in the true sense of the term. With Aman Iman: Water is Life, Tinariwen have created a rock album that's unique, vibrant and wholly original. Few Western bands can boast the same. --Ted Kord
Average Rating: 
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I'm no world music expert, but from time to time something comes along from outside the English speaking world that demands my attention. 'Aman Iman' is such an album. These Touareg musicians from the Western Sahara create a music whose 'otherness' is obvious, yet which is immediately accessible to western sensibilities. Their music evokes the solitude of the desert and the loneliness of exile, and yet is life affiriming and joyous. It's a thrumming, hypnotic, even foot-stomping sound, not obviously African, with arabic influences and hints of the blues, and deserves a wider audience.
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If, like me, you're starting out in the great savannas of world music and have seen this album flashed around on music sites, then can i say this is great stuff and much more entertaining than several cd's that are offered at the moment (Apart from orchestra boabab, possibly) Enjoy.
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Decidedly funky, a Jimmy Hendrix like lead guitar - you wouldn't believe Tinariwen comes straight out of the Sahara desert. This is an amazing record, sounding perfectly modern at times, only to remind you immediately of its roots.
What Yothu Yindi did for Australian aboriginal music, Tinariwen does for the Tuareg, fully embracing western instruments and using these to explore new angles on their traditional songs. Amazing, I repeat, amazing.
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Saw them play Womad a few years ago, but just picked up the new record. Excellent
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A gurgle, a sigh, a breath and the aching scorched-earthed voice of Tinariwen's assigned leader, Ibrahim,"Abaraybone," breaks into voice. Following him come a seething, organic mass, chants and calls, spurred on by guitars that split flame, this is the music, these are the roots from which we came. This is the desert.
Tinariwen are the blues, they are the soul, they are Zeppelin before Zeppelin. We love this relentless, pulsating record because it reminds us what we once were as a species: a society, fraught rebel musicians.
Take this record as one whole but if I was pushed I'd say my favourite tracks are,"Matadjem Yinmixan,"so bouncy and spirited you just never want it to end and the incredibly earthy-sounding,"Ahimana." As is ... Read More:
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