Availability: Usually dispatched within 1-2 business days
Binding: Audio CD
EAN: 0028947593829
Format: Limited Edition
Label: Decca
Manufacturer: Decca
Number Of Discs: 1
Publisher: Decca
Release Date: October 29, 2007
Studio: Decca
Sales Rank: 11190
Disc 1:- Rich Woman (Dorothy LaBostrie-McKinley Millet)
- Killing the Blues (Rowland Salley)
- Sister Rosetta Goes Before Us (Sam Phillips)
- Polly Come Home (Gene Clark)
- Gone, Gone, Gone (Done Moved On) (Phil and Don Everly)
- Through the Morning, Through the Night (Gene Clark)
- Please Read The Letter (Robert Plant-Michael Lee-Jimmy Page-Charlie Jones)
- Trampled Rose (Tom Waits-Kathleen Brennan)
- Fortune Teller (Naomi Neville)
- Stick With Me Baby (Mel Tillis)
- Nothin' (Townes Van Zandt)
- Let Your Loss Be Your Lesson (Milt Campbell)
- Your Long Journey (A.D. Watson and Rosa Lee Watson)
Related Items:
Related Items:
see more
Browse for similar items by category:
Editorial Review:
Amazon.co.uk Review:
Led Zeppelin frontman Robert Plant and bluegrass crooner Alison Krauss may not be the likeliest of musical combinations. But on this welcome collaboration album, they work beautifully together, wringing a kind of magic from other people’s songs. The key to the album is its versatility. Between them, Krauss and Plant can handle a vast repertoire on their own, and here they take on the lot, from folk laments and country soul to searing blues and upbeat rock & roll. Overseen by Elvis Costello producer T Bone Burnett and backed by high caliber musicians like guitarist Marc Ribot and multi-instrumentalist Mike Seeger, Raising Sand sees the duo create stellar covers of songs by Tom Waits, Townes Van Zandt, Mel Tillis and The Everly Brothers, among others. Highlights include a killer version of Roly Salley's "Killing the Blues", and a cover of the Plant-Page collaboration "Please Read the Letter," though in truth, it’s difficult to find a weak spot on the whole album. --Danny McKenna
Average Rating: 
Rating: -
I can respect Robert Plant for his work with Led Zeppelin (nearly 40 years ago) and Alison Krauss is a major talent with the Union Station but this just does not work. The production by T Bone Burnett is good but the material is poor and boring. It neither one thing (Rock) nor another (Country/Bluegrass). Having read the reviews beforehand I borrowed this CD from my library prepared for a probable disappointment and it certainly lived up to that.
Rating: -
Sublime, intersting and flawless. For me, reminiscent of Gram Parsons/Emmylou Harris in terms of depth, colour and spirituality.
Rating: -
Should be no surprise to find Robert Plant making great music with any musician. Being famous for making music in one genre has never stopped this singer from admiring other forms. He has, after all, appeared with Fairport at Cropredy and was an admirer of the Incredible String Band back in the day. Nice to hear these two together and with such a great band of musicians. Good also, to hear a Doc Watson song being aired. Be interesting to hear Zep cover Doc eh?
Rating: -
I'm a fan of both Plant and Krauss and bought this CD without having heard any tracks in advance. I reckoned the juxtaposition of two great but very different talents was bound to result in something new and interesting. Ouch!!! How wrong I was. I sold it on eBay the next week.
This album sounds like the pair were brought together by their marketing teams to make an unchallenging, easy-listening sure-fire hit for a bland middle of the road market. Sure, if this was the intention then the project is a great contribution to their pension funds. But it does nothing to push any musical boundaries or take any risks.
There's a good selection of songs (I've heard many of them performed to much higher standards by other artists) ... Read More:
Rating: -
Heard great things about this album over some period of time before I bought it, heard Gone, gone, gone and thought Hmmmmm, I'd give it a go.....
Can't say much more than I think it's just a mediocre musical outing by two accomplished performers.
It's not the electric mix of eclectic styles that people make it out to be, it's not a ground-breaking album, it's never going to be in my top ten fave albums [or any list of fave albums].
It is a raggle-taggle collection of songs, some a bit too similar to its partners on the album to make it an overall half-decent listen, it is performed reasonably well, but it lacks any dynamic or soul......all in all not my cup of tea.
If I was on Juke Box Jury I might ... Read More:
|