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Music : Albedo 0.39
Rating: 
- classic 70's electronica
Produced in the 70's before he really hit the big time, this is a slice of what made Vangelis the master of synth rock. This is up there against Tomita and J.M. Jarre, and comes out very well. We all gasped that only one man was making such wonderful music, remember this was before PCs and samples took over the world. There are complex and melodic pieces alongside percussion. There is an other worldly feel to the pieces which explains why this music was used in Carl Sagans "Cosmos". The spoken title track is quite haunting and ethereal, the sound effects of the speaking clock and telephone dialling a little twee. A great introduction to synthesizers and the template for many a late night session staring at the clear night sky as a callow youth, dreaming about the Chariot of the Gods.
Rating:
- Sounding a bit dated but still interesting
Albedo 0.39 was released in 1976 and finds Vangelis using a mix of synthesizers, percussion and a variety of other instruments. Some of the more melodic tracks achieved quite wide exposure at the time, most notably "Alpha", which was used on the American television series "Cosmos".
The album sounds very much of its time, especially with regard to Vangelis's use of the Apollo astronauts' voices in "Mare Tranquilitatis" and the British Post Office 'speaking clock' at the end of "Pulstar". Some of the tracks have an experimental feel and don't really work, most notably "Main Sequence". However, the "Sword of Orion" has a poetic elegance and the two "Nucleogenesis" tracks, very much 1970s rock but with unusual use of the organ, still sound quite exciting.
The narrator of the atmospheric "Albedo 0.39" track is not credited and some people assume it must be Vangelis himself, but apparently it was the album's recording engineer.
In summary, an interesting album but not as good as Vangelis's "L'Apocalypse des Animeux" or "China".
Rating: - As fresh today..
It is astonishing that this record was released in 1976. 'Freefall' is comfortably 20 years ahead of its time and is reminiscent of Boards of Canada's quieter moments. Ignore the unhinged and unrepresentative 'Main Sequence'; the scary 'Intestinal Bat' and the title track are far superior.
Rating: - SPACE ELECTRONICS AT THEIR FINEST
Greek keyboard wizard Vangelis was one of the pioneers of popular electronic music, before he became famous for film soundtracks such as 'Blade Runner' and 'Chariots of Fire', for which he won an Oscar. ALBEDO 0.39 was released at the height of his commercial success during the late 1970s, and remains one of his most focussed and appealing albums. Not only does it avoid the classical pretensions of his earlier works, but also the tiresome experimental dabblings of subsequent efforts. ALBEDO represents the composer at his most 'electronic'. The album can best be describes as 'Space Rock', with each of the eight tracks having an astronomical theme and a cosmic atmosphere. There is little in the way of the orchestral simulations that have typified most of Vangelis' work, and we are left with a series of very precise pieces full of lively fuzzy basses, jangly fills and synthetic solos. This does not undermine the composer's celebrated sense of melody, however, as ALBEDO is loaded with catchy tunes, and every piece shows lots of musical interest. The standout track must be 'Main Sequence', a blistering assault of stunning percussion work and dazzling keyboard virtuosity. This is electronic rock/fusion at its wildest, punctuated by sudden bursts of melody amidst a crashing cacophony. 'Sword of Orion' is one of Vangelis' most beautiful and soaring pieces of electronic music. 'Pulstar' is instantly recognisable owing to its frequent use on television programmes, while the album concludes with the title track. This features the man himself, reciting a series of cosmic facts about the earth as it travels through space. Not that musical, but a fascinating science lesson for those who are interested! For Vangelis fans, ALBEDO 0.39 is essential listening. Fans of electronic music with an astronomical theme should also check out Brian Eno's 'Apollo' Soundtrack.
- classic 70's electronicaProduced in the 70's before he really hit the big time, this is a slice of what made Vangelis the master of synth rock. This is up there against Tomita and J.M. Jarre, and comes out very well. We all gasped that only one man was making such wonderful music, remember this was before PCs and samples took over the world. There are complex and melodic pieces alongside percussion. There is an other worldly feel to the pieces which explains why this music was used in Carl Sagans "Cosmos". The spoken title track is quite haunting and ethereal, the sound effects of the speaking clock and telephone dialling a little twee. A great introduction to synthesizers and the template for many a late night session staring at the clear night sky as a callow youth, dreaming about the Chariot of the Gods.
Rating:
- Sounding a bit dated but still interestingAlbedo 0.39 was released in 1976 and finds Vangelis using a mix of synthesizers, percussion and a variety of other instruments. Some of the more melodic tracks achieved quite wide exposure at the time, most notably "Alpha", which was used on the American television series "Cosmos".
The album sounds very much of its time, especially with regard to Vangelis's use of the Apollo astronauts' voices in "Mare Tranquilitatis" and the British Post Office 'speaking clock' at the end of "Pulstar". Some of the tracks have an experimental feel and don't really work, most notably "Main Sequence". However, the "Sword of Orion" has a poetic elegance and the two "Nucleogenesis" tracks, very much 1970s rock but with unusual use of the organ, still sound quite exciting.
The narrator of the atmospheric "Albedo 0.39" track is not credited and some people assume it must be Vangelis himself, but apparently it was the album's recording engineer.
In summary, an interesting album but not as good as Vangelis's "L'Apocalypse des Animeux" or "China".
Rating:
- As fresh today..It is astonishing that this record was released in 1976. 'Freefall' is comfortably 20 years ahead of its time and is reminiscent of Boards of Canada's quieter moments. Ignore the unhinged and unrepresentative 'Main Sequence'; the scary 'Intestinal Bat' and the title track are far superior.
Rating:
- SPACE ELECTRONICS AT THEIR FINESTGreek keyboard wizard Vangelis was one of the pioneers of popular electronic music, before he became famous for film soundtracks such as 'Blade Runner' and 'Chariots of Fire', for which he won an Oscar. ALBEDO 0.39 was released at the height of his commercial success during the late 1970s, and remains one of his most focussed and appealing albums. Not only does it avoid the classical pretensions of his earlier works, but also the tiresome experimental dabblings of subsequent efforts. ALBEDO represents the composer at his most 'electronic'. The album can best be describes as 'Space Rock', with each of the eight tracks having an astronomical theme and a cosmic atmosphere. There is little in the way of the orchestral simulations that have typified most of Vangelis' work, and we are left with a series of very precise pieces full of lively fuzzy basses, jangly fills and synthetic solos. This does not undermine the composer's celebrated sense of melody, however, as ALBEDO is loaded with catchy tunes, and every piece shows lots of musical interest. The standout track must be 'Main Sequence', a blistering assault of stunning percussion work and dazzling keyboard virtuosity. This is electronic rock/fusion at its wildest, punctuated by sudden bursts of melody amidst a crashing cacophony. 'Sword of Orion' is one of Vangelis' most beautiful and soaring pieces of electronic music. 'Pulstar' is instantly recognisable owing to its frequent use on television programmes, while the album concludes with the title track. This features the man himself, reciting a series of cosmic facts about the earth as it travels through space. Not that musical, but a fascinating science lesson for those who are interested! For Vangelis fans, ALBEDO 0.39 is essential listening. Fans of electronic music with an astronomical theme should also check out Brian Eno's 'Apollo' Soundtrack.