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Music : Hitsville USA: The Motown Singles Collection 1959-1971
Rating: 
- The Classic Sound Of Motown
well-assembled box set containing just some of Motown's most golden and definitive classics. Nobody knew Motown Records was going to take off in the way it did. Berry Gordy intended to use his artists to break down the then racial barriers, intending to encapsulate a golden and distinct sound that would not only please a black audience but would too appeal to whites. Berry Gordys visions for the company paid off. Key artists like Diana Ross, Marvin Gaye, Smokey Robinson and Stevie Wonder attracted a huge following from both blacks and whites.
Seemingly echoing the restrictions of ghetto life in Detroit (which is where Motown began) was the effective, bluesey Money (Thats What I Want) by Barret Strong, Motowns debut release. There is a raw, earthy feel to the classic that has stood the test of time impecably well. There is a strong injection of Rock and Roll on Motowns early releases though they found a more commercially favourable sound with vast elements of pop neatly blended into the production with The Marvelettes famous classic, Please Mr. Postman.
The Marvelettes were Motowns premier female group and took the credit of delivering Motown its first chart topper. The Marvelettes didn't have an entirley successful run at Motown. Though they pumped out a sprinkling of fantastic hits eratically through the duration of the decade, their acheivements were pretty limited, probably as they were overshadowed by Martha Reeves And The Vandellas who too admitedly found themselves overshadowed by Motowns biggest act, Diana Ross And The Supremes. Both Martha and the Vandellas and Diana and the Supremes had individual and unique qualities of their own. A vast selection of Martha Reeves finest recordings turn up here from the sassy Come And Get These Memories, the pop masterpiece Heat Wave (though I have to admit I actually prefer Diana Ross' version of it which was featured on The Supremes Sing Holland Dozier Holland album) and the rolling Dancing In The Streets. Just listening to the sheer volume and power of Reeves voice makes you appreciate her often over-looked vocal talents. Diana Ross had a much softer soprano which had soulful qualities, oozing heavy emotion and genuine feeling that showed subtle hints of a raw vulnreability in her vocal delivery and neatly surfboarded along Motowns complex musical arrangements. Many of their classics are here including the finest of their career with the raw, gritty Love Child and their breathtakingly beautiful ballad, Someday We'll Be Together. Holland Dozier Holland was the main driving force behind a lot of Motowns most golden classics. They wrote and assembled some of the most remarkable pieces of music for both Diana Ross and the fantasic Four Tops.
Lead singer of The Four Tops Levi Stubbs rocketing voice was just amazing and even managed to give you goose bumps. Several of their most famous classics turn up here including their pair of U.S chart toppers, I Can't Help Myself and the hauntingly atmospheric Reach Out I'll Be There.
The Temptations were one of Motowns hottest and most versatile acts. The splitting of lead vocal duties between the smooth, sensuous sound of Eddie Kendricks falsetto combined with the explosive volume of David Ruffins more forceful delivery marked an interesting transistion in their work. Tracks like the jamming Get Ready and My Girl respectivley show up on this box set though also highlights some of their most exciting work from the early 70's with the undertones of hot, pulsating funk on Cloud Nine, which saw Dennis Edwards being lead vocalist after the swift departure of David Ruffin and the utterly fantastic classic, Ball Of Confusion, divulging into contemporary social issues.
Smokey Robinson was a key artist at Motown who wrote some timeless music and was generally an all-round and highly versatile entertainer. Some of his most enthralling work is on here such as the infectious sounds of The Tears Of A Clown and the breathtakingly beautiful, The Tracks Of My Tears. Stevie Wonder was a sheer genius and some of his greatest work is included here, from the masterpiece production of Fingertips to the playful funk of Signed, Sealed, Delivered I'm Yours.
Marvin Gaye was another one of Motowns definitive artists. His work progresed from the formulaic sounds of Motown on tracks like Stubborn Kind Of Fellow to the masterpiece of I Heard It Through The Grapevine to the profound political statements expressed on the timeless Whats Going On that is deservedly included on here.
There is oddly only 1 offering from Diana Ross' solo career with the absolutley magnificent, golden Soul classic, Ain't No Mountin High Enough. Ashford and Simpson always knew how to make good records for Diana Ross and that tracks is one of the many landmarks in her career. You just get goose bumps as that exalting and rip-roaring climax builds and Diana effectivley talks through the verses, emphasising her truly sensual vocal style.
This box set hosts so many classics thats its impossible to chronicle them all but there are some surprisingly rare features on here such as a version of I Can't Give Back The Love I Feel For You by Rita Wright (later covered by Diana Ross on her Surrender album) and some offerings from the over-looked Brenda Holloway. Amongst other familiar classics are the fantastic and the at-the-time controversial nature of Edwin Starr's rip-roaring War, the beautiful This Old Heart Of Mine Is Weak For You by the highly underated The Isley Brothers, the sensational ShotGun by Junior Walker And The All Stars who bought a unique touch of Jazz to their mainstream sound of Soul/R&B/Pop, Needle In A haystack by The Velvettes, ABC by The Jackson 5 (featuring a young, nasal sounding Michael Jackson),Stoned Love by Thr Supremes (possibly their best post-Ross recording featuring Jean Terrell as lead vocalist) and the unforgetable classic, Nowhere To Run by Martha Reeves And The Vandellas. The lists could go on and on and on but the whole box set deserves a thorough listen!
Consistently bubbling with red hot, distinct and positivley infectious musical arrangements, Motown opened many doors for black singers and broke down many racial barriers. The golden Motown sound ceased to exist after its headquarters move from Detroit to L.A but all the magic is clearly encapsulated on here. Motown remains a key landmark in the history of black music and also made a significant impact in Pop music all together. Never has there been a record label that has managed to capture and encapsulate such a unique, distinct sound with such a wide range of diverse singing talents. The classics on here are timeless and enthralling. Hitsville USA: The Motown Singles Collection is both superb and timeless but also essential to any serious Soul/R&B collection!
Rating: - Fascinating but odd selection of songs
This boxed set of Motown's early years leaves out a lot of obvious songs, which leaves room for a lot of wonderful songs that you don't normally hear, but which are well worth a listen.
My favorite of the four CD's here is the first, containing many of the early classics that were huge hits in America but not in Britain, where Motown was slow to catch on. Only My guy, Dancing in the street and Baby love, near the end of this CD, were major hits in the UK for the original Motown artists, though other songs became UK hits via cover versions. This CD is particularly notable for several classic songs by the Marvelettes, Martha and the Vandellas, the Miracles and Mary Wells, though Stevie Wonder, the Four Tops, the Temptations and Marvin Gaye are also represented here by early examples of their greatness.
The second and third CD's show Motown at the peak of their power with many classic songs included, although Diana Ross and the Supremes are poorly represented and plenty of other classics are also omitted. However, the absence of these songs leaves room to include songs by Chris Clark, Kim Weston, Brenda Holloway, the Contours, the Monitors, the Elgins, Shorty Long, Rita Wright (better known as Syreeta) and Bobby Taylor.
The final CD contains more high quality music but it was around this time that Motown started to slip as some of their stars departed to other labels and the replacements were not always of the same standard. So the final CD is great, but the first three are even better.
A companion boxed set covering the years from 1972 is also available. There are great songs on there too but not as many as can be found here.
This box is well presented with a superb booklet, but if you want a sixties hits collection, there are many other collections that will suit you better. For the ultimate Motown sixties hits collection, I recommend the triple CD, Motown gold, which contains over eighty songs digitally re-mastered.
Rating: - vital motown
This collection is a cornerstone for any serious collection of the worlds most invigorating music.Listen carfully to many of these tunes and hear how they laid the foundation for popular music from the time they were released until today.
Rating: - great buy!
excellent collection of motown-classics. there as a great mix songs, as well as there's alot of songs to listen to. don't let the price of the cd scare you. it's worth every penny.
- The Classic Sound Of Motownwell-assembled box set containing just some of Motown's most golden and definitive classics. Nobody knew Motown Records was going to take off in the way it did. Berry Gordy intended to use his artists to break down the then racial barriers, intending to encapsulate a golden and distinct sound that would not only please a black audience but would too appeal to whites. Berry Gordys visions for the company paid off. Key artists like Diana Ross, Marvin Gaye, Smokey Robinson and Stevie Wonder attracted a huge following from both blacks and whites.
Seemingly echoing the restrictions of ghetto life in Detroit (which is where Motown began) was the effective, bluesey Money (Thats What I Want) by Barret Strong, Motowns debut release. There is a raw, earthy feel to the classic that has stood the test of time impecably well. There is a strong injection of Rock and Roll on Motowns early releases though they found a more commercially favourable sound with vast elements of pop neatly blended into the production with The Marvelettes famous classic, Please Mr. Postman.
The Marvelettes were Motowns premier female group and took the credit of delivering Motown its first chart topper. The Marvelettes didn't have an entirley successful run at Motown. Though they pumped out a sprinkling of fantastic hits eratically through the duration of the decade, their acheivements were pretty limited, probably as they were overshadowed by Martha Reeves And The Vandellas who too admitedly found themselves overshadowed by Motowns biggest act, Diana Ross And The Supremes. Both Martha and the Vandellas and Diana and the Supremes had individual and unique qualities of their own. A vast selection of Martha Reeves finest recordings turn up here from the sassy Come And Get These Memories, the pop masterpiece Heat Wave (though I have to admit I actually prefer Diana Ross' version of it which was featured on The Supremes Sing Holland Dozier Holland album) and the rolling Dancing In The Streets. Just listening to the sheer volume and power of Reeves voice makes you appreciate her often over-looked vocal talents. Diana Ross had a much softer soprano which had soulful qualities, oozing heavy emotion and genuine feeling that showed subtle hints of a raw vulnreability in her vocal delivery and neatly surfboarded along Motowns complex musical arrangements. Many of their classics are here including the finest of their career with the raw, gritty Love Child and their breathtakingly beautiful ballad, Someday We'll Be Together. Holland Dozier Holland was the main driving force behind a lot of Motowns most golden classics. They wrote and assembled some of the most remarkable pieces of music for both Diana Ross and the fantasic Four Tops.
Lead singer of The Four Tops Levi Stubbs rocketing voice was just amazing and even managed to give you goose bumps. Several of their most famous classics turn up here including their pair of U.S chart toppers, I Can't Help Myself and the hauntingly atmospheric Reach Out I'll Be There.
The Temptations were one of Motowns hottest and most versatile acts. The splitting of lead vocal duties between the smooth, sensuous sound of Eddie Kendricks falsetto combined with the explosive volume of David Ruffins more forceful delivery marked an interesting transistion in their work. Tracks like the jamming Get Ready and My Girl respectivley show up on this box set though also highlights some of their most exciting work from the early 70's with the undertones of hot, pulsating funk on Cloud Nine, which saw Dennis Edwards being lead vocalist after the swift departure of David Ruffin and the utterly fantastic classic, Ball Of Confusion, divulging into contemporary social issues.
Smokey Robinson was a key artist at Motown who wrote some timeless music and was generally an all-round and highly versatile entertainer. Some of his most enthralling work is on here such as the infectious sounds of The Tears Of A Clown and the breathtakingly beautiful, The Tracks Of My Tears. Stevie Wonder was a sheer genius and some of his greatest work is included here, from the masterpiece production of Fingertips to the playful funk of Signed, Sealed, Delivered I'm Yours.
Marvin Gaye was another one of Motowns definitive artists. His work progresed from the formulaic sounds of Motown on tracks like Stubborn Kind Of Fellow to the masterpiece of I Heard It Through The Grapevine to the profound political statements expressed on the timeless Whats Going On that is deservedly included on here.
There is oddly only 1 offering from Diana Ross' solo career with the absolutley magnificent, golden Soul classic, Ain't No Mountin High Enough. Ashford and Simpson always knew how to make good records for Diana Ross and that tracks is one of the many landmarks in her career. You just get goose bumps as that exalting and rip-roaring climax builds and Diana effectivley talks through the verses, emphasising her truly sensual vocal style.
This box set hosts so many classics thats its impossible to chronicle them all but there are some surprisingly rare features on here such as a version of I Can't Give Back The Love I Feel For You by Rita Wright (later covered by Diana Ross on her Surrender album) and some offerings from the over-looked Brenda Holloway. Amongst other familiar classics are the fantastic and the at-the-time controversial nature of Edwin Starr's rip-roaring War, the beautiful This Old Heart Of Mine Is Weak For You by the highly underated The Isley Brothers, the sensational ShotGun by Junior Walker And The All Stars who bought a unique touch of Jazz to their mainstream sound of Soul/R&B/Pop, Needle In A haystack by The Velvettes, ABC by The Jackson 5 (featuring a young, nasal sounding Michael Jackson),Stoned Love by Thr Supremes (possibly their best post-Ross recording featuring Jean Terrell as lead vocalist) and the unforgetable classic, Nowhere To Run by Martha Reeves And The Vandellas. The lists could go on and on and on but the whole box set deserves a thorough listen!
Consistently bubbling with red hot, distinct and positivley infectious musical arrangements, Motown opened many doors for black singers and broke down many racial barriers. The golden Motown sound ceased to exist after its headquarters move from Detroit to L.A but all the magic is clearly encapsulated on here. Motown remains a key landmark in the history of black music and also made a significant impact in Pop music all together. Never has there been a record label that has managed to capture and encapsulate such a unique, distinct sound with such a wide range of diverse singing talents. The classics on here are timeless and enthralling. Hitsville USA: The Motown Singles Collection is both superb and timeless but also essential to any serious Soul/R&B collection!
Rating:
- Fascinating but odd selection of songsThis boxed set of Motown's early years leaves out a lot of obvious songs, which leaves room for a lot of wonderful songs that you don't normally hear, but which are well worth a listen.
My favorite of the four CD's here is the first, containing many of the early classics that were huge hits in America but not in Britain, where Motown was slow to catch on. Only My guy, Dancing in the street and Baby love, near the end of this CD, were major hits in the UK for the original Motown artists, though other songs became UK hits via cover versions. This CD is particularly notable for several classic songs by the Marvelettes, Martha and the Vandellas, the Miracles and Mary Wells, though Stevie Wonder, the Four Tops, the Temptations and Marvin Gaye are also represented here by early examples of their greatness.
The second and third CD's show Motown at the peak of their power with many classic songs included, although Diana Ross and the Supremes are poorly represented and plenty of other classics are also omitted. However, the absence of these songs leaves room to include songs by Chris Clark, Kim Weston, Brenda Holloway, the Contours, the Monitors, the Elgins, Shorty Long, Rita Wright (better known as Syreeta) and Bobby Taylor.
The final CD contains more high quality music but it was around this time that Motown started to slip as some of their stars departed to other labels and the replacements were not always of the same standard. So the final CD is great, but the first three are even better.
A companion boxed set covering the years from 1972 is also available. There are great songs on there too but not as many as can be found here.
This box is well presented with a superb booklet, but if you want a sixties hits collection, there are many other collections that will suit you better. For the ultimate Motown sixties hits collection, I recommend the triple CD, Motown gold, which contains over eighty songs digitally re-mastered.
Rating:
- vital motownThis collection is a cornerstone for any serious collection of the worlds most invigorating music.Listen carfully to many of these tunes and hear how they laid the foundation for popular music from the time they were released until today.
Rating:
- great buy!excellent collection of motown-classics. there as a great mix songs, as well as there's alot of songs to listen to. don't let the price of the cd scare you. it's worth every penny.