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Music : Lord of the Rings: Complete Trilogy
1 2 3 4 5 6 7
Rating: 
- Missing tracks
I loved all the albums individually and have the limited edition of each and every one of them. The problem with this set is that the tracks that were added for to the extended edition of the Fellowship (available on the Two Towers LE OST) and the Two towers haven't made it to this collection, which is a shame, because they are all superb.
If you can afford it, go buy the three Limited Edition soundtracks, if you want a bargain, go for this set.
Rating:
- Excellent
I like the music from the first 2 movies of which I own, but I have doubts from the 3rd cd(ROTK). It should have 19 tracks not 13. If any customer can confirm that there are 19 tracks in the 3rd cd, I would willingly be ready to buy it
Rating: - More a symphony in 3 movements than a soundtrack
So, you've more than likely seen all 3 Lord of the Rings films by now, and although it's difficult to put aside all the top-notch visuals and acting in what are certainly the best fantasy films ever made, let's just do that and consider the music on its own, insofar as that's possible. I don't think it was just me who spent whole days absently humming the Fellowship theme, or listening to Gollum's Song when feeling down. Howard Shore's music has somehow managed to cross the boundary between classical music and what I think of as "modern" hooks... okay, that's not very clear at all, but what I mean is that unlike a lot of classical music, Shore's gets lodged in the hindbrain of people who wouldn't dream of admitting they liked classical music ordinarily. And Classic FM listeners voted Lord of the Rings as the best soundtrack ever made; the allure of this music works both ways, it seems.
From the aforementioned Fellowship theme to the Celtic-infused Rohan music, to the 5-4 time of Isengard's war-like signature, Shore has reimagined Middle-Earth in musical form even as Peter Jackson did so on celluloid. The breadth of his composition allows for as much variety of tone and atmosphere as you find in the films themselves, and of course goes a long way to creating and anchoring those atmospheres when you watch the movies. From the dark pounding rhythms of Isengard and Mordor, there are the beautiful choral pieces; Gandalf and Boromirs' deaths have music which makes me want to cry every time I hear them (perhaps partly a consequence of connecting the music with the events in the film, but this is gorgeous, evocative music in its own right).
Perhaps the most impressive aspect of these three soundtracks is the development of themes or simple phrases as you progress onwards. The Fellowship theme is never complete again after the fall of Gandalf until the reunion in Frodo's room in the Houses of Healing in Gondor. The Shire theme gradually becomes sadder and sadder as the hobbits are exposed to the harsh realities of war across Middle-Earth. This evolution of the music transforms it from a mere accompaniment to a film into a living, emotional entity of its own, and is in a large part responsible for making this collection of all 3 so wonderful to listen to. When each is separated from the others it's "only" really good music, but when you have the full picture, the context, of all 3 together and can thus fully appreciate Shore's work as a whole, does it become astonishingly beautiful.
Rating: - Soundtracks as expansive and magnificent as the movies
This trilogy of soundtracks from the Lord Of The Rings movies is the essential musical companion to the greatest movie trilogy of our time. As sweepingly expansive and magnificent as the visual feast of the movies, Howard Shore brilliantly evokes the imagery of Middle Earth by his intellegent interpretation of the huge variety of themes within the movie.
Ranging from the gentle yet harrowing 'Gollum's Song' (featured at the end credits of 'The Tow Towers'), to the grand excitement of the various battles throughout the movie, the scope of this music is immense. Performances throughout turn what could have been mere soundtracks into a genuinely outstanding collection of musical accomplishment. There are even vocal performances by Billy Boyd (Pippin) and Viggo Mortensen (Aragorn) which prove that there is more to these performers than just acting!
The thing that surprised me about this package, however, was the price, which truly makes it value for money and a worthwhile investment, and as much a worthy addition to any music collection. But most of all, it is like owning another part of the movie trilogy itself, one that allows you to take the journey again, but in a much more personal way, as Howard Shore's brilliant compositions conjure a dazzling array of images in your mind.
Rating: - The music is good...
..but talk about cashing in. THe films are great, the soundtracks are great and many of us have already forked out for the individual soundtracks. Then they bring out this. Just like with the films (extended edition, extended edition boxed set) we are given too much choice.
- Missing tracksI loved all the albums individually and have the limited edition of each and every one of them. The problem with this set is that the tracks that were added for to the extended edition of the Fellowship (available on the Two Towers LE OST) and the Two towers haven't made it to this collection, which is a shame, because they are all superb.
If you can afford it, go buy the three Limited Edition soundtracks, if you want a bargain, go for this set.
Rating:
- ExcellentI like the music from the first 2 movies of which I own, but I have doubts from the 3rd cd(ROTK). It should have 19 tracks not 13. If any customer can confirm that there are 19 tracks in the 3rd cd, I would willingly be ready to buy it
Rating:
- More a symphony in 3 movements than a soundtrackSo, you've more than likely seen all 3 Lord of the Rings films by now, and although it's difficult to put aside all the top-notch visuals and acting in what are certainly the best fantasy films ever made, let's just do that and consider the music on its own, insofar as that's possible. I don't think it was just me who spent whole days absently humming the Fellowship theme, or listening to Gollum's Song when feeling down. Howard Shore's music has somehow managed to cross the boundary between classical music and what I think of as "modern" hooks... okay, that's not very clear at all, but what I mean is that unlike a lot of classical music, Shore's gets lodged in the hindbrain of people who wouldn't dream of admitting they liked classical music ordinarily. And Classic FM listeners voted Lord of the Rings as the best soundtrack ever made; the allure of this music works both ways, it seems.
From the aforementioned Fellowship theme to the Celtic-infused Rohan music, to the 5-4 time of Isengard's war-like signature, Shore has reimagined Middle-Earth in musical form even as Peter Jackson did so on celluloid. The breadth of his composition allows for as much variety of tone and atmosphere as you find in the films themselves, and of course goes a long way to creating and anchoring those atmospheres when you watch the movies. From the dark pounding rhythms of Isengard and Mordor, there are the beautiful choral pieces; Gandalf and Boromirs' deaths have music which makes me want to cry every time I hear them (perhaps partly a consequence of connecting the music with the events in the film, but this is gorgeous, evocative music in its own right).
Perhaps the most impressive aspect of these three soundtracks is the development of themes or simple phrases as you progress onwards. The Fellowship theme is never complete again after the fall of Gandalf until the reunion in Frodo's room in the Houses of Healing in Gondor. The Shire theme gradually becomes sadder and sadder as the hobbits are exposed to the harsh realities of war across Middle-Earth. This evolution of the music transforms it from a mere accompaniment to a film into a living, emotional entity of its own, and is in a large part responsible for making this collection of all 3 so wonderful to listen to. When each is separated from the others it's "only" really good music, but when you have the full picture, the context, of all 3 together and can thus fully appreciate Shore's work as a whole, does it become astonishingly beautiful.
Rating:
- Soundtracks as expansive and magnificent as the moviesThis trilogy of soundtracks from the Lord Of The Rings movies is the essential musical companion to the greatest movie trilogy of our time. As sweepingly expansive and magnificent as the visual feast of the movies, Howard Shore brilliantly evokes the imagery of Middle Earth by his intellegent interpretation of the huge variety of themes within the movie.
Ranging from the gentle yet harrowing 'Gollum's Song' (featured at the end credits of 'The Tow Towers'), to the grand excitement of the various battles throughout the movie, the scope of this music is immense. Performances throughout turn what could have been mere soundtracks into a genuinely outstanding collection of musical accomplishment. There are even vocal performances by Billy Boyd (Pippin) and Viggo Mortensen (Aragorn) which prove that there is more to these performers than just acting!
The thing that surprised me about this package, however, was the price, which truly makes it value for money and a worthwhile investment, and as much a worthy addition to any music collection. But most of all, it is like owning another part of the movie trilogy itself, one that allows you to take the journey again, but in a much more personal way, as Howard Shore's brilliant compositions conjure a dazzling array of images in your mind.
Rating:
- The music is good.....but talk about cashing in. THe films are great, the soundtracks are great and many of us have already forked out for the individual soundtracks. Then they bring out this. Just like with the films (extended edition, extended edition boxed set) we are given too much choice.