CD-Charts Position 1

.

Piano, Rumpu Ja Kukka

by: 22 Pistepirkko

Release Date

CD-Charts Position 2

.

Rumble City, La La Land

by: 22-Pistepirkko

Release Date May 10, 1996

CD-Charts Position 3

.

Train

by: 22 Pistepirkko

Release Date

CD-Charts Position 4

.

Ou Wee [VINYL]

by: 22 Pistepirkko

Release Date July 03, 2006

CD-Charts Position 5

.

Downhill City

by: 22 Pistepirkko

Release Date April 28, 2000

CD-Charts Position 6

.

This Time

by: 22 Pistepirkko

Release Date

CD-Charts Position 7

.

The Train (French Import)

by: 22 Pistepirkko

Release Date

CD-Charts Position 8

.

Rally of Love [VINYL]

by: 22 Pistepirkko

Release Date October 08, 2001

CD-Charts Position 9
Average Rating:

.

Bare Bones Nest

by: 22 Pistepirkko

Release Date July 03, 2000
Since its first release in the 80s this remains a little known album along with the band who have none the less persevered and are still making great music after 20 years. The album is mainly rock and blues orientated with a distinctive vocal style and lo-fi production techniques. The opener 'Frankenstein' is a dark sinister piece with compelling rhythm and fantastic keyboard breaks. The album closes with the disturbing random distorted sounds and echoes of the French national anthem, very mysterious. Whilst the album is experimental there is enough of a pop element to make it easy to listen to with catchy numbers such as 'don't play cello.' The band are barely known outside their home country of Finland but they have an enduring appeal and ... Read More:

CD-Charts Position 10
Average Rating:

.

Big Lupu

by: 22 Pistepirkko

Release Date October 01, 1999
Since its first release in the 80s this remains a little known album along with the band who have none the less persevered and are still making great music after 20 years. The album is mainly rock and blues orientated with a distinctive vocal style and lo-fi production techniques. The opener 'Frankenstein' is a dark sinister piece with compelling rhythm and fantastic keyboard breaks. The album closes with the disturbing random distorted sounds and echoes of the French national anthem, very mysterious. Whilst the album is experimental there is enough of a pop element to make it easy to listen to with catchy numbers such as 'don't play cello.' The band are barely known outside their home country of Finland but they have an enduring appeal and ... Read More: