CD-Charts Position 1
Average Rating:

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Untrue

by: Burial

Release Date November 05, 2007
Firstly, I have to say i have never heard of "dubstep" so if this is "Dubstep" then brilliant.

However, I can't help but think that this sits quite nicely in the same camp as Deep Forest and possibly Enigma, very ambient chill with deep bass and samples/ chanting (Archangel)

That's not to say this album isn't good - it's brilliant, have had it on constant repeat for a few days now,

CD-Charts Position 2
Average Rating:

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Burial

by: Burial

Release Date May 22, 2006
I'm playing the debut Burial album, eponymously named forsooth, a great deal at the moment and it is a bewitchingly lugubrious and atmospheric product. This appeals. Electronic and dub-heavy riddimic soundscapes proffer dark and mournful insights into urban melancholia that are compelling and challenging in equal measure. The track titles - Night Bus, Broken Home, U Hurt Me, Gutted - add to the murky ambience and the occasional haunting vocal helps create e'en more tension. It's a marvellous recording, full of layers and texture and I'd suggest that's the kind of album Boards of Canada would create if they resided in a bleak inner London rather than the bucolic splendour of the Scottish wilds.

CD-Charts Position 3
Average Rating:

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DJ Kicks - Burial

by: Burial

Release Date September 29, 2008
I'm playing the debut Burial album, eponymously named forsooth, a great deal at the moment and it is a bewitchingly lugubrious and atmospheric product. This appeals. Electronic and dub-heavy riddimic soundscapes proffer dark and mournful insights into urban melancholia that are compelling and challenging in equal measure. The track titles - Night Bus, Broken Home, U Hurt Me, Gutted - add to the murky ambience and the occasional haunting vocal helps create e'en more tension. It's a marvellous recording, full of layers and texture and I'd suggest that's the kind of album Boards of Canada would create if they resided in a bleak inner London rather than the bucolic splendour of the Scottish wilds.

CD-Charts Position 4
Average Rating:

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Untrue [VINYL]

by: Burial

Release Date November 12, 2007
Firstly, I have to say i have never heard of "dubstep" so if this is "Dubstep" then brilliant.

However, I can't help but think that this sits quite nicely in the same camp as Deep Forest and possibly Enigma, very ambient chill with deep bass and samples/ chanting (Archangel)

That's not to say this album isn't good - it's brilliant, have had it on constant repeat for a few days now,

CD-Charts Position 5
Average Rating:

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A Day on the Town/More Than.

by: The Burial/Skin Deep

Release Date October 01, 1999
Firstly, I have to say i have never heard of "dubstep" so if this is "Dubstep" then brilliant.

However, I can't help but think that this sits quite nicely in the same camp as Deep Forest and possibly Enigma, very ambient chill with deep bass and samples/ chanting (Archangel)

That's not to say this album isn't good - it's brilliant, have had it on constant repeat for a few days now,

CD-Charts Position 6
Average Rating:

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Initiations

by: Burial Hex

Release Date April 21, 2008
Firstly, I have to say i have never heard of "dubstep" so if this is "Dubstep" then brilliant.

However, I can't help but think that this sits quite nicely in the same camp as Deep Forest and possibly Enigma, very ambient chill with deep bass and samples/ chanting (Archangel)

That's not to say this album isn't good - it's brilliant, have had it on constant repeat for a few days now,

CD-Charts Position 7
Average Rating:

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Rareform

by: After The Burial

Release Date August 18, 2008
Firstly, I have to say i have never heard of "dubstep" so if this is "Dubstep" then brilliant.

However, I can't help but think that this sits quite nicely in the same camp as Deep Forest and possibly Enigma, very ambient chill with deep bass and samples/ chanting (Archangel)

That's not to say this album isn't good - it's brilliant, have had it on constant repeat for a few days now,

CD-Charts Position 8
Average Rating:

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Burial [VINYL]

by: Burial

Release Date June 04, 2007
I'm playing the debut Burial album, eponymously named forsooth, a great deal at the moment and it is a bewitchingly lugubrious and atmospheric product. This appeals. Electronic and dub-heavy riddimic soundscapes proffer dark and mournful insights into urban melancholia that are compelling and challenging in equal measure. The track titles - Night Bus, Broken Home, U Hurt Me, Gutted - add to the murky ambience and the occasional haunting vocal helps create e'en more tension. It's a marvellous recording, full of layers and texture and I'd suggest that's the kind of album Boards of Canada would create if they resided in a bleak inner London rather than the bucolic splendour of the Scottish wilds.

CD-Charts Position 9
Average Rating:

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Burial Chamber Trio [VINYL]

by: Burial Chamber Trio

Release Date
I'm playing the debut Burial album, eponymously named forsooth, a great deal at the moment and it is a bewitchingly lugubrious and atmospheric product. This appeals. Electronic and dub-heavy riddimic soundscapes proffer dark and mournful insights into urban melancholia that are compelling and challenging in equal measure. The track titles - Night Bus, Broken Home, U Hurt Me, Gutted - add to the murky ambience and the occasional haunting vocal helps create e'en more tension. It's a marvellous recording, full of layers and texture and I'd suggest that's the kind of album Boards of Canada would create if they resided in a bleak inner London rather than the bucolic splendour of the Scottish wilds.

CD-Charts Position 10
Average Rating:

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WVRM [VINYL]

by: Burial Chamber Trio

Release Date
I'm playing the debut Burial album, eponymously named forsooth, a great deal at the moment and it is a bewitchingly lugubrious and atmospheric product. This appeals. Electronic and dub-heavy riddimic soundscapes proffer dark and mournful insights into urban melancholia that are compelling and challenging in equal measure. The track titles - Night Bus, Broken Home, U Hurt Me, Gutted - add to the murky ambience and the occasional haunting vocal helps create e'en more tension. It's a marvellous recording, full of layers and texture and I'd suggest that's the kind of album Boards of Canada would create if they resided in a bleak inner London rather than the bucolic splendour of the Scottish wilds.