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Release Date September 09, 1991
I JUST WANT TO AGREE WITH EVERY WORD THAT MR JORDAN HAD SAID ABOUT THIS PARTICULAR RECORDING, NOT JUST OF 'THE LARK', BUT OF SERENADE TO MUSIC ALSO. IN FACT I JUST LOVE EVERYTHING ON THIS ALBUM! I BOUGHT MY VINYL COPY IN THE EARLY 70'S AND IT IS NOW SO WORN OUT THAT I DECIDED TO LOOK TO SEE IF A CD WAS AVAILABLE. WHAT JOY! NOT ONLY HAVE I BEEN ABLE TO FIND A CD OF MY TREASURED RECORDING, BUT WITH BONUS TRACKS, AND AT AN INCREDIBLY LOW PRICE. FOR ME THIS IS THE PURCHASE OF THE MONTH.
Release Date August 23, 1993
Neither work is particularly well known, even among enthusiasts for Vaughan Williams music. Don't let that put you off. Both are original and gripping works and Sancta Civitas is an extraordinary piece unlike any other work I know. It is the work in which the composer found the unique colours and dissonance that would lead to works like Job and the Fourth Symphony and is, perhaps, even finer than those great works. It is certainly original. The only previous recording that came anywhere near to doing the work justice was that conducted by Sir David Willcocks. This new account is in the same class and has the benefit of a superb modern recording that the earlier record cannot match. I genuinely believe that Sancta Civitas is one of Vaughan Williams' ... Read More:
Release Date March 11, 2002
This version of The Planets has replaced my recent LSO version.
Why? Well, the balance between the contributing elements is the best i've heard so far: The bass is thunderous analogue and the high woodwind/strings are like crystal in equal measure. This is a superb achievement and exceptionally important for, 'large orchestra' where Dynamics become a recording engineer's delight or problem depending on how good they are. And these people are the best: Abbey road have done a fantastic job on the remastering of a late 70's classic, although there is one thing they could never tackle: Is this as Holst intended?
Bolt was a friend of Holst and was given the opportunity to first conduct the piece; Bolt read and heard the original 'two piano' ... Read More:
Release Date September 22, 2008
This version of The Planets has replaced my recent LSO version.
Why? Well, the balance between the contributing elements is the best i've heard so far: The bass is thunderous analogue and the high woodwind/strings are like crystal in equal measure. This is a superb achievement and exceptionally important for, 'large orchestra' where Dynamics become a recording engineer's delight or problem depending on how good they are. And these people are the best: Abbey road have done a fantastic job on the remastering of a late 70's classic, although there is one thing they could never tackle: Is this as Holst intended?
Bolt was a friend of Holst and was given the opportunity to first conduct the piece; Bolt read and heard the original 'two piano' ... Read More:
Release Date May 10, 1993
In the same way that Naxos' New College Oxford recording of "Messiah" is an example of the English Cathedral tradition, this recording is a great sample of the choral society tradition. Although the recording includes some huge names from the world of classical music, I was not over-enthralled by the recording as a whole. The age of the recording (1966) is made obvious in the quality of sound, and the entire ensemble is too big to hear the words properly, and of course this is reflected in the acoustic. The presentation is acceptable, but there are few programme notes and no copy of the text. However, what this recording does have is drama and vigour in abundance.
Both the choir and orchestra sing well and accurately enough, and the soloists are OK too - it ... Read More:
A lovely 2CD Classic FM compilation of relaxing music - for mothers as much as their babies - consisting of an interesting assortment of baroque, classical, romantic and modern music with the underlying theme of aiming to relax the listener.
Some pieces are chosen partly for their title as well as the soothing effect they have, these include the 'Lullaby' by Brahms and 'The Swan' from 'Carnival of the Animals' by Saint-Saens. The more contemporary offerings are by popular composers such as Patrick Hawes. These are good recordings, as expected by Classic FM, many of which will be comfortably familiar to most of the radio shows listeners.
Comfortably safe by Classic FM maybe, but comfortably relaxing too.
The budget price doesn't reflect the quality of this 2 disc collection of classical music highlights, for the soloists, orchestras, conductors and the recordings themselves ensure it is a good quality selection of mostly familiar music from the classical music repertoire.
The choices lean heavily towards the opera style, so for that reason alone will not be the only album necessary to cover everyone's taste - even the complete classical beginner will find many of their familiar favourites are absent.
The tracks are mostly single movements from the whole score, which may not please the more enthusiastic classical fan, but it's unavoidable given the short time permitted by only 2 CDs. In any case, this album really is only aimed at those wanting ... Read More:
Release Date February 10, 1997
I really enjoyed this CD and I did find the music relaxing. However as someone who meditates regularly I do not think that it is music that would be used to meditate to. One can sit and relax to this CD but if you want to meditate this CD, in places, can be quite stirring and would not lend itself to an actual meditation practice.
Release Date March 31, 2001
The tracks on this cd are excellent and well worth the money. I get worried about the packaging of this sort of disc though because it reminds me of Tesco's attempt to sell wine to the masses by renaming a mediocre chablis as 'Good with meat' or whatever. If this was called 'Fine Opera' or 'An Opera Sampler' then I'd be a lot happier but the dumb approach of 'The Only Opera Album You'll Ever Need' makes me cringe. Once again though: the music is very good and the performances are excellent on the whole.
Release Date September 20, 2004
and I like the box too: I can always pick it out among the other VW sets ;-)
A wonderful evocative 3rd, a tense war study. Not very pastoral, nor bucolic or lyrical: I do not agree much with Vernon Handley's interpretation. Rather it is the past remembered, resigned melancholy that something is not quite right, yet with self-discovery and steely determination that is discussed and evolved by the soloists. Never forget that a war demands and makes a different mindset we do not understand. I find Rued Langgaard's deeply disturbing 4th Symphony, "Leaf Fall" 1916, to be in good company here.
Haitink's take on things generally differs just a bit from the English conductors, but I think "In the Fen Country" in particular justifies buying the set. Yeah, I know it's Cambridge but for ... Read More:
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