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Release Date September 25, 2007
There are some great tracks here and if you haven't already got much of the Moby back catalogue you may well want to buy this but as a body of work it doesn't really seem to gel. I found the production dissapointing in that most tracks 'fade out' and (on my copy at least) the penultimate track just stops abruptly with an unnerving clunk! Love Moby, don't love this album quite as much!
Release Date May 13, 2002
CD2 is subtitled 'Remixes', althought the 1st track, a downtempo version of We Are All Made Of Stars, is not sufficiently different enough to justify the title. However, track 2, DJ Tiesto's full vocal remix, picks up the pace and turns the song into a club thumper, while still holding on to Moby's guitar riff as the driving theme throught the track. Track 3, the dub mix by Timo Maas, starts of fairly quiet and sedate, before he brings in the drums and an acid sound that would have been at home in 1987. By the time he puts the vocals through a vocoder, the track sounds like it may well be from another planet, certainly different from the one Moby comes from. A bit of a mixed bag really, but at least its not predictable, which is a sentiment ... Read More:
Release Date March 27, 2000
Since this is one MOBY's first CD's, one cannot be too tough on him. However, the term ambient (penned by Brian Eno in the Seventies) used to mean multi-layered, ethereal space/mood music. Moby keeps the layers and the moods, but the constant percussion (it's good) keep it from being anything but relaxing. This represents a good foreshadowing of what moby was to produce.
Release Date
Since this is one MOBY's first CD's, one cannot be too tough on him. However, the term ambient (penned by Brian Eno in the Seventies) used to mean multi-layered, ethereal space/mood music. Moby keeps the layers and the moods, but the constant percussion (it's good) keep it from being anything but relaxing. This represents a good foreshadowing of what moby was to produce.
Release Date
Since this is one MOBY's first CD's, one cannot be too tough on him. However, the term ambient (penned by Brian Eno in the Seventies) used to mean multi-layered, ethereal space/mood music. Moby keeps the layers and the moods, but the constant percussion (it's good) keep it from being anything but relaxing. This represents a good foreshadowing of what moby was to produce.
Release Date May 17, 1999
Since this is one MOBY's first CD's, one cannot be too tough on him. However, the term ambient (penned by Brian Eno in the Seventies) used to mean multi-layered, ethereal space/mood music. Moby keeps the layers and the moods, but the constant percussion (it's good) keep it from being anything but relaxing. This represents a good foreshadowing of what moby was to produce.
Release Date May 30, 2005
Since this is one MOBY's first CD's, one cannot be too tough on him. However, the term ambient (penned by Brian Eno in the Seventies) used to mean multi-layered, ethereal space/mood music. Moby keeps the layers and the moods, but the constant percussion (it's good) keep it from being anything but relaxing. This represents a good foreshadowing of what moby was to produce.
Release Date March 01, 1996
Since this is one MOBY's first CD's, one cannot be too tough on him. However, the term ambient (penned by Brian Eno in the Seventies) used to mean multi-layered, ethereal space/mood music. Moby keeps the layers and the moods, but the constant percussion (it's good) keep it from being anything but relaxing. This represents a good foreshadowing of what moby was to produce.
Release Date
Since this is one MOBY's first CD's, one cannot be too tough on him. However, the term ambient (penned by Brian Eno in the Seventies) used to mean multi-layered, ethereal space/mood music. Moby keeps the layers and the moods, but the constant percussion (it's good) keep it from being anything but relaxing. This represents a good foreshadowing of what moby was to produce.
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