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Release Date August 25, 2008
What a disappointment!
I put this into the cd player hoping to be blown away by some seriously good blues/rock but....well, 6 plays later, I'm still waiting. Maybe it's too American for my taste but if you want good blues/rock music tune into Paul Rodgers, Free, Ian Siegal etc.
Joe Bonamassa can certainly play (apparently he opened for BB King when he was 12!) but I couldn't discern any connection with the noise coming out of the speakers.
Release Date September 22, 2008
If you like Moore, then here is the latest to add to your collection. It's pretty formula stuff - great blues rock - some boogie, some a bit heavier, and of course wonderful long ballards with superb guitar wizardy, delivered only how Moore can.
I won't go through track for track, because if your a fan you will get the drift, this is simply more and more of what Gary does best. A couple of noticeable mentions though. How about the 10 minute long "I Love You More Than You'll ever Know" epic? Sheer class over and over again, and "Mojo Boogie" whioch is foot tapping stonkingly good and subtle tones of Quo! Another track has some welcome female backing vocals, which adds some extra to the album.
Release Date November 03, 2008
Ry Cooder is one of the most wonderful guitarists on the planet.Anyone looking to play guitar should listen to him,because when it comes to tone,to texture and beautiful playing he's among the very best there is.The rave over Stevie Ray's,Hendrix,et all as great as they are no question of that RC is a master of his art.This anthology has a wonderful range of varying styles from a whole range of his albums right upto his 2008 release I Flathead,and it's all fabulous stuff,no fillers here at all.listen to the texture in his film scores like Paris Texas,or his take on Johnny Cash's Get Rhythm to the wonderful unreleased track Let's Get Together.You get 34 tracks for your money,all put together by his son Joachim,plus notes by the man himself.This is surely ... Read More:
Release Date September 29, 2008
Look folks I was going to buy this out of pure nostalgia anyway - but I have to tell you this is just about as good as it gets - definitely his best ever studio recording. The voice is as good as ever, and no one ever ever could get the same sounds out of a guitar as he gets out of "Lucille". Every track a winner and what a band - featuring the incomparable Dr John on piano. The production is faultless. If you have any affection for the blues you simply have to buy this. Without question a 5 star item.
Release Date November 12, 2007
Before buying this album, I was familiar with the 'big' songs from it, however after a few listens i have come to appreciate the true raw talent behind it; suffice to say im very happy with the purchase!! the case was delivered with a crack however, which is not the first time from Amazon to me.
Release Date November 11, 2002
How highly do I rate Peter Green(baum)? Well put it this way, at his peak he was at least as good as anyone that has EVER picked up an axe, plus he had the ability to write songs that still sound amazing thirty years later. So how good is this as a testament to his lost talent? Well, about as good as it could be given his early crack-up and losing his "magic stick." Tragedy really. A far bigger loss than Syd Barrett was to the Pink Floyd.
Here we have classics and filler in equal numbers. To be frank the blues pastiche (not all written by Green) was ho-hum at the time and is skip material here. The sixties recording time was shorter and there are even a few bum notes that should not be there.
However the genius of Albatross (who but ... Read More:
Release Date December 15, 2000
I was going to mention Clapton's christening of the Les Paul, Marshall setup, but others have beaten me to it. I liken it's impact to what happened to harp playing when Little Walter and other's deciding to blow through the PA or an early guitar amp. They REDEFINED the sound of the instrument.
So all I'll add is the rhetorical question...can you imagine being a teenage Brit, having been reared on the sounds of the Beatles, Jerry and the Pacemakers, or even the Dave Clark Five, wandering into a London club because someone had recommended the Bluesbreakers, and hearing THIS STUFF? Probably as epiphanic as being a white guy in mid 50's Chicago and having the nerve to wander into the Dew Drop Inn and hearing Muddy, Wolf, or later, Otis Rush and Buddy ... Read More:
Release Date October 08, 2007
As I've posted some complaints on Amazon about incompleteness of compilations (missing an artist's best-known track, apparently just to hack people off), I'd like to go the other way on this one.
Obviously this compilation is not "complete". That would require not two CDs but, er, an awful lot of CDs. It is a very fair cross-section of Mr C's career from Cream onwards, charting his emergence as a solo artist, the relative blandness of the early 80s, and his return to form from the late 80s onwards.
To be more comprehensive, it should include the early era as well, i.e. Yardbirds and Mayall. This doesn't bother me, but the blues fans might object. The Cream tracks are a mite superfluous; if you want Cream material, you probably want at least a ... Read More:
Release Date November 12, 2007
It would be easy to quibble about what extra tracks should have been added to the original 1975 compilation but not worth it because the Stones produced so much good stuff back in 60's that a quadruple album of hits would not be too much. This compilation is simply streets ahead of any other. If you are coming to the Stones for the first time, or quite like the Stones but are not a huge fan, or even if you are, THIS IS THE COMPILATION TO BUY. With a bit of luck one day we will see a decent compilation of the later years - the stuff on 40 Licks was very patchy.
Release Date August 27, 2007
I just want to add my voice to the crowd: Bonamassa is more than you expect. I have bought all his records now, and there is no disappointment, I am very very impressed with him: good voice, massive sound, an amazing knowledge of the classics of blues and rock, and a style of his own who can also perfectly emulate the great names when needed. He is fulfilling expectations coming from the hype around him. HE DESERVES IT. I have not been impressed as much with someone since Stevie Ray played Texas Flood in my ears many years ago. MUST HAVE FOR ALL BLUES FANS!! Not only this CD! ALL OF THEM !!!
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