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Release Date June 18, 1999
This album is absolutely brilliant. Vocally, it is pure genius, and musically it is perfectly timed. I have just bought this album, as a replacement for the one I lost in my mispent teenage times! It`s jst as great as I remember it being (unlike many of my music purchases of the 90`s)
Release Date March 27, 2006
I haven't heard the whole album but I just want to say that Live with Me with Terry Callier is the sexiest record EVER!!!!!!!!!!!!!!!! It even beats Night Nurse by Gregory Issacs and that's saying something!
Release Date June 18, 1999
harrowing, infectual and experimental sounds make this a far superior offering to the pedestrian dummy.thats no too say dummy is lazy or derivative it has some great tracks and a consistant theme but i think it never really climaxed like this self titled lp. cringeworthy certainly not gorgeous and expressive absolutely rarely groups have the integrety to produce music that attempts something new and in doing so pushes the boundaries for a greater experience in their second helping i strongly reccomend this for anyone who is ready to emerce themselves in the greatness this sublime album has to offer
Release Date June 01, 1991
In reference to the review dubbing this a one track album, what album were you listening to???? I am offended by your review!
Yes unfinished sympathy is a truly great song, but is by no means the best on the album! Blue lines is one of the greatest albums ever and every track is a classic!
Release Date June 18, 1999
Other reviewers have said it all - I just want to clarify a couple of things
1) A couple of tracks here are not the same performances as on the companion video. One of them, Roads, was recorded at a festival (and certainly sounds like it!). The other - well, read on...
2) None of the tracks on this album deserve to be damned with the faint praise of "faithful reproduction of the originals". For one thing, they're all loud and vivid-sounding, with a fine balance of ambience and clarity (and this makes a particular difference to the second-album material - Cowboys is a speaker-blaster!). Elsewhere, Mysterons and Strangers have extended codas; Half Day Closing (with all its vocal processing intact) ends with a strange `Liberty Bell'-like sample (!); most ... Read More:
Release Date April 20, 1998
I bought this album because it had "Teardrop" and "Angel" on it,but I took the opportunity to sit in a completely dark room and properly listen to this...and couldn't stop listening to it the day after as well! It's calming, dark and beautifully written, especially songs like "Risingson", "Teardrop" and "Black Milk" (my new favourite!)
Buy this album, prepare to fall in love.
Release Date October 19, 1998
As with all who have felt compelled to add their thoughts on this amazing double CD, I too find it timeless and one of those rare collections you will never get tired of.
We often drive upto Wales (usually leave around 8pm and get to mid Ceredigian around midnight) and this collection, specially Part 1, is reserved for the last hour or so....nothing like rolling through the night to this sound :)
Hope everyone gets to experience these sounds....thanks to the Bear for recommending it :)
Release Date September 26, 1994
I remember well the period of the early nineties - and the sounds that were in my life then. Much of my leisure time was spent clubbing: fast-paced, loud, excitable and generally full-on. It was a good time and the music I heard when I was out was fantastic. But I often felt some "humanity" was missing. During those 'down times' I'd drop Protection onto my record player and slide back into a feeling of warmth, honesty and embracing lyrics. "Lyrics!" I thought, that's what's was missing! What was the point otherwise? It was simply music only of the 'thrill factor'. Of course I listened to other classics that my collection contained, but this was the sound at the time. And Massive Attack had seemed to tap into the zeitgeist.
There was a brooding sense of darkness ... Read More:
Release Date September 27, 1999
I bought this album after reading the rave reviews on Amazon. One reviewer has said it is better than Better than Miles Davis' 'Kind Of Blue' and John Coltrane's 'A Love Supreme'. Quite a statement. So does it live up to the hype? In short NO. For me there's nothing ground breaking here, just lots of repetitive noise. Never once was I completely drawn into the music. To fair there are a couple nice tracks on this album (And Relax and Diabolus). But to mention Cinematic Orchestra in the same breath as Jazz greats like Miles Davis and John Coltrane is insane! No actually its insulting. Can you honestly say this album can match the emotion and sheer genius of "Kind of Blue"?? Its a generous 3 stars from me ....
Release Date March 25, 2002
I first got into electronic music a while ago, and frankly couldnt have asked for a better induction. I was recomended this by a friend when I said I liked the electronic stuff on Kid A and he told me that most of it was influenced by this man.
He was right, Shadow is a genius. His skill with a drum machine is matched only by his skill with a sampler and his talent for mixing, perfectly capturing an ever shifting mood with changes of tempo, time signature, key, instruments and genre. Its all captured here, like a beautifully preserved insect in a peice of amber. Jazz, soul, blues, and that ever present loaded-gun backbeat, tying every interesting sample and gorgeous melody together into an amazingly cohesive journey of beats.
It is, like the best albums, prismic and ever ... Read More:
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