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Release Date April 07, 2008
Having grown up with the popular music of the 60s, 70s, 80s etc and loved music from Classical to Heavy Metal but not Jazz. In the past two years I have been introduced to Oscar Peterson and I could almost throw all other genres away after living with this album for the last six months. This is absolute total musical perfection and an awesome early 60s recording.
Release Date May 25, 1999
Bossa Nova was and is not to everybody's taste. Many jazz aficianados can't stand Astrud Gilberto's singing either. The thing with this session in particular, however, is Stan Getz's playing. There is only one word for it - divine! Which is why I suspect there are so many accolades for this CD. The brevity and melodiousness of his ideas is quite exceptional, not so on many other examples of his work before or after.
I love jazz and I like this, but I can't say I can listen to Bossa Nova all the time. Stan Getz on this CD, however, I don't think I'll tire of...
Release Date April 05, 1999
Hynotic, subtle and the same time wonderfully soulful this record surely sits within the top five of all time Blue Note releases. It's the ultimate late night session. The consistently wonderfully Kenny Burrell who makes the difficult sound effortlessly simple gives a masterclass in Jazz guitar playing with an endlesss tapestry of smooth licks that melt into the instinctive groove of Stanley Turrentine's sax. It's a partnership made in heaven, they work so languidly off each other on, "Mule" The way Burrell brings in the track on,"Soul lament," with his emotive twanging are classic bars of music. I am also particularly fond of the waltz tempo on,"Wavy Gravy."
This record is wonderfully focussed, Burrell's musical philosophy is stamped all ... Read More:
Release Date May 03, 1999
This is a cracking album and I totally agree with the other reviewer as this is a disc that is frequently in my CD player. Although my preference would be for the other Blue Note recorded in Paris with Kenny Clarke and Bud Powell, this is a hugely enjoyable set, Dexter playing with his customary wry sense of humour and backed by a hard-hitting rythmn section. Like many other discs of the era on the Blue Note label, the recording quality is good and the standard of material is very high. No duff tracks on this one. Dexter's style of playing with his huge, impressive tone was unique - owing something to the more Romantic players of the generation of Coleman Hawkins but taking on the harmonies and rythmns of Be-bop. This is a good introduction ... Read More:
Release Date July 11, 2005
Bought this for myself, and my 16 year old son and his mate have borrowed it and play it all the time, they think it's 'really cool'. Just shows good music has appeal for all age ranges.
Release Date May 25, 1999
Jazz Samba is the first, but now possibly least famous, of the works by the famous samba populist and saxophonist, Stan Getz. Here he collaborates with the guitarist Charlie Byrd to produce, in my opinion, his finest Samba album.
Unlike the later Getz/Gilberto, Getz/Byrd has no vocal content and relies on swinging samba melodies and dexterous interplay between these masters of jazz sax and guitar. In tempo, it ranges from the boisterous E Luxo So, through the never-bettered Desafinado to the melancholic and beautiful Samba Triste.
Getz's samba does not engage the listener like other jazz forms. Its Brazilian rhythms fade naturally into the background, making it ideal for sophisticated party music. Given the right conditions however ... Read More:
Release Date June 19, 1999
I got into Mr Bungle back in high school - predictably via Faith no More - I wasn't sure what to expect upon buying this CD, which was probably a good thing at the time as it really does defy any sort of categorising - the only thing you can say for certain is that it's definitely NOT a Faith No More record, and anyone buying it hoping it's like that defunct band's sound will be sorely disappointed I think...
There's probably every sort of genre you can imagine thrown in there, but they all seamlessly tie together and mesh into the next "song". The musicianship and technical virtuosity of all members involved is astonishing, but despite what you might have heard, there are some great hooks to be had here, and plenty of bizarre humour (if you ... Read More:
Release Date September 02, 1996
A truely outstanding album from start to finnish. Many catchy tunes with the incredible talent of Thelonious Monk (Piano). This album goes from strength to strength. Highly recommended from Jazz fans looking to start their collection. Overall it is an excellent album performed by real professionals. A must have for anyone who calls themself a Jazz fan.
Release Date April 26, 2004
I must admit I hadn't heard much Charlie Parker before buying this album as an introduction to bebops founder and one of the world's finest saxophonists to date. After listening to both CD's in this double set right through various times I was addicted and I'm sure I shall buy much more of his work very soon. Many of the bebop enthusiasts I know agreed that the choice of song's on this album were very well selected and clearly outline the saxophonists different stages in his musical career. I recommend this album to diehard bebop fans and everyone else alike either to hear the amazing musicianship, unpressedented composing skills or just to know where every musician in the world hs gained some kind of influence. Pure Genious!!!
Release Date August 13, 2001
This first volume of recordings is an essential purchase for any Jazz fan capturing Thelonious Monk in the very early days of be-bop, playing many of his most famous tunes.
Recorded in October and November 1947 in New York City, the album features the following musicians:
Thelonious Monk - Piano
Art Blakey - drums,
Gene Ramey, Bob Paige - bass
Idrees Sulieman, George Tait - Trumpet
Danny Quebec West, Sahib Shihab - Alto Sax
Baring mind the age of the recordings the sound quality is remarkably good and of course Monks distinctive compositions and playing dominate proceedings. Of the non-Monk tunes perhaps the best are his versions of Gershwins "Nice Work..." which he takes to another place entirely. Of Monks ... Read More:
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