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Release Date May 25, 1999
Bossa Nova was and is not to everybody's taste. Many jazz aficianados can't stand Astrud Gilberto's singing either. The thing with this session in particular, however, is Stan Getz's playing. There is only one word for it - divine! Which is why I suspect there are so many accolades for this CD. The brevity and melodiousness of his ideas is quite exceptional, not so on many other examples of his work before or after.
I love jazz and I like this, but I can't say I can listen to Bossa Nova all the time. Stan Getz on this CD, however, I don't think I'll tire of...
Release Date April 08, 1996
The best Stan Getz album money can buy. Relaxing soothing sounds to wind down to. Jazz Masters have excelled themselves with this selection.
Release Date August 07, 2006
If you only ever own ONE album by Sonny Rollins, this has to be it. Having said that, why have you only one album by the great man???.... More like 10 stars!
Release Date May 25, 1999
Jazz Samba is the first, but now possibly least famous, of the works by the famous samba populist and saxophonist, Stan Getz. Here he collaborates with the guitarist Charlie Byrd to produce, in my opinion, his finest Samba album.
Unlike the later Getz/Gilberto, Getz/Byrd has no vocal content and relies on swinging samba melodies and dexterous interplay between these masters of jazz sax and guitar. In tempo, it ranges from the boisterous E Luxo So, through the never-bettered Desafinado to the melancholic and beautiful Samba Triste.
Getz's samba does not engage the listener like other jazz forms. Its Brazilian rhythms fade naturally into the background, making it ideal for sophisticated party music. Given the right conditions ... Read More:
Release Date November 09, 1993
Jazz Samba is the first, but now possibly least famous, of the works by the famous samba populist and saxophonist, Stan Getz. Here he collaborates with the guitarist Charlie Byrd to produce, in my opinion, his finest Samba album.
Unlike the later Getz/Gilberto, Getz/Byrd has no vocal content and relies on swinging samba melodies and dexterous interplay between these masters of jazz sax and guitar. In tempo, it ranges from the boisterous E Luxo So, through the never-bettered Desafinado to the melancholic and beautiful Samba Triste.
Getz's samba does not engage the listener like other jazz forms. Its Brazilian rhythms fade naturally into the background, making it ideal for sophisticated party music. Given the right conditions ... Read More:
Release Date May 03, 1999
This is a cracking album and I totally agree with the other reviewer as this is a disc that is frequently in my CD player. Although my preference would be for the other Blue Note recorded in Paris with Kenny Clarke and Bud Powell, this is a hugely enjoyable set, Dexter playing with his customary wry sense of humour and backed by a hard-hitting rythmn section. Like many other discs of the era on the Blue Note label, the recording quality is good and the standard of material is very high. No duff tracks on this one. Dexter's style of playing with his huge, impressive tone was unique - owing something to the more Romantic players of the generation of Coleman Hawkins but taking on the harmonies and rythmns of Be-bop. This is a good introduction ... Read More:
Release Date June 19, 1999
Mr Bungle. With a name like that, you know its gonna be odd, or maybe humorous? Alas, the band have some cool toilet humour included. Some of the talking sections at the end of songs hit the mark, most fall flat however. I dont like the circus sections of the songs. It cheesy, plain and simple. Sometimes the record breaks down into cacophony such as #My Ass is on Fire, which I really enjoy until the 6 minute mark then it gets pointless.
However, there are some excellent songs on here, such as Slowly Growing Deaf, Carousel (which reminds me a bit of Madness when Pattons voice kicks in), The Girls of Porn (extremely humorous lyrics) and Quote Unquote.
They are definately unfocused on a lot of these songs however. I rate Mr Bungle ... Read More:
Release Date April 25, 1986
It's hard to think of anyone who has a tone quite like Stan Getz: breathy yet rich, cool yet passionate, he was unique. Famous for his wonderful bossa nova recordings, he also made some great music with other jazz masters. This album with the Oscar Peterson Trio is particularly fine. Getz's warm, lyrical tone caresses a collection of great tunes with admirable collaboration from one of the finest trios of all time. The lack of a drummer allows an intimate, relaxed feeling to the proceedings, and the results are seriously enjoyable. Highlights include a swinging "Pennies From Heaven" and beautiful ballad work on "Detour Ahead" and "I'm Glad There Is You". All Getz fans and jazz lovers should investigate this CD without delay.
Release Date February 15, 1997
It's hard to think of anyone who has a tone quite like Stan Getz: breathy yet rich, cool yet passionate, he was unique. Famous for his wonderful bossa nova recordings, he also made some great music with other jazz masters. This album with the Oscar Peterson Trio is particularly fine. Getz's warm, lyrical tone caresses a collection of great tunes with admirable collaboration from one of the finest trios of all time. The lack of a drummer allows an intimate, relaxed feeling to the proceedings, and the results are seriously enjoyable. Highlights include a swinging "Pennies From Heaven" and beautiful ballad work on "Detour Ahead" and "I'm Glad There Is You". All Getz fans and jazz lovers should investigate this CD without delay.
Release Date June 16, 1995
Some 79 minutes of material that is full of life and Byrds' ingeniousity. Each and every tune here is catchy and drives you into the mood. (Couple of them have two different takes one after the other, still it doesn't get boring!). Value for money here is unbeatable!!!
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