Welcome to The CD Charts, here you will find all the latest and top selling Music cds available to buy online. You can search and locate the best selling Music cd's and have them delivered to the door. We have a large selection of Music all with reviews.
Release Date November 11, 2003
I heartily agree this CD would be best enjoyed if the show had been seen in person. This review, though, is based off the CD alone.
Pro: Following the life of Peter Allan, the Boy From Oz is an undeniably enthusiastic rendering of his life, using songs Allan wrote. Con: This enthusiasm, however, does sometimes bleed over into happy "cheese." Many people have never heard of Peter Allan until now, and his music does have a somewhat dated sound (70s).
Note: If you don't like Liza Minnelli's voice in real life, you won't like how she's rendered here - it's pretty good! The same goes for the style. The Boy from Oz might be a bit like "Hair" - you either love it or hate it.
Pro: His music was meant to be performed ... Read More:
Release Date July 01, 1991
George Lewis was a gifted and forceful clarinetist in the Johnny Dodds style. He stayed on in New Orleans after the closing of Storyville and the move of jazz to Chicago and beyond, and he was largely unknown until he played with Bunk Johnson as part of the revivalist movement in the early 1940s. The tracks for this superb CD were recorded in New Orleans in 1951 and 1953. The CD is in two halves having 6 tracks by a quartet with support for George Lewis's clarinet from piano, banjo and bass; and 6 tracks by a traditional band with trumpet and trombone joining George Lewis in the front line, and support from piano, banjo, bass and drums.
Revivalism implies that traditional jazz had at best been superceded, or had been lost, or even had died. ... Read More:
Release Date March 23, 1999
George Lewis was a gifted and forceful clarinetist in the Johnny Dodds style. He stayed on in New Orleans after the closing of Storyville and the move of jazz to Chicago and beyond, and he was largely unknown until he played with Bunk Johnson as part of the revivalist movement in the early 1940s. The tracks for this superb CD were recorded in New Orleans in 1951 and 1953. The CD is in two halves having 6 tracks by a quartet with support for George Lewis's clarinet from piano, banjo and bass; and 6 tracks by a traditional band with trumpet and trombone joining George Lewis in the front line, and support from piano, banjo, bass and drums.
Revivalism implies that traditional jazz had at best been superceded, or had been lost, or even had died. ... Read More:
Release Date December 23, 1999
George Lewis was a gifted and forceful clarinetist in the Johnny Dodds style. He stayed on in New Orleans after the closing of Storyville and the move of jazz to Chicago and beyond, and he was largely unknown until he played with Bunk Johnson as part of the revivalist movement in the early 1940s. The tracks for this superb CD were recorded in New Orleans in 1951 and 1953. The CD is in two halves having 6 tracks by a quartet with support for George Lewis's clarinet from piano, banjo and bass; and 6 tracks by a traditional band with trumpet and trombone joining George Lewis in the front line, and support from piano, banjo, bass and drums.
Revivalism implies that traditional jazz had at best been superceded, or had been lost, or even had died. ... Read More:
Release Date September 16, 2004
George Lewis was a gifted and forceful clarinetist in the Johnny Dodds style. He stayed on in New Orleans after the closing of Storyville and the move of jazz to Chicago and beyond, and he was largely unknown until he played with Bunk Johnson as part of the revivalist movement in the early 1940s. The tracks for this superb CD were recorded in New Orleans in 1951 and 1953. The CD is in two halves having 6 tracks by a quartet with support for George Lewis's clarinet from piano, banjo and bass; and 6 tracks by a traditional band with trumpet and trombone joining George Lewis in the front line, and support from piano, banjo, bass and drums.
Revivalism implies that traditional jazz had at best been superceded, or had been lost, or even had died. ... Read More:
Release Date May 18, 1998
This CD is a collection made up from earlier records with typical trad jazz input for which Monty Sunshine is famed. However it is not just Monty Sunshine clarinet dominated, as all the musicians are superb with particularly forceful contributions from trombone, trumpet and banjo. There are opportunities for solos in addition to excellent ensemble playing, and though sometimes a little strained the music is always professional. There is a mixture of live and studio recordings, but all are equally well produced.
The choice of numbers is trad jazz inspired with everything from traditional pieces and spirituals to popular tunes and anything melodic in between. The first track is a German cradle song "Sleep My Little Prince" and immediately ... Read More:
Release Date September 16, 2004
This CD is a collection made up from earlier records with typical trad jazz input for which Monty Sunshine is famed. However it is not just Monty Sunshine clarinet dominated, as all the musicians are superb with particularly forceful contributions from trombone, trumpet and banjo. There are opportunities for solos in addition to excellent ensemble playing, and though sometimes a little strained the music is always professional. There is a mixture of live and studio recordings, but all are equally well produced.
The choice of numbers is trad jazz inspired with everything from traditional pieces and spirituals to popular tunes and anything melodic in between. The first track is a German cradle song "Sleep My Little Prince" and immediately ... Read More:
Release Date
This CD is a collection made up from earlier records with typical trad jazz input for which Monty Sunshine is famed. However it is not just Monty Sunshine clarinet dominated, as all the musicians are superb with particularly forceful contributions from trombone, trumpet and banjo. There are opportunities for solos in addition to excellent ensemble playing, and though sometimes a little strained the music is always professional. There is a mixture of live and studio recordings, but all are equally well produced.
The choice of numbers is trad jazz inspired with everything from traditional pieces and spirituals to popular tunes and anything melodic in between. The first track is a German cradle song "Sleep My Little Prince" and immediately ... Read More:
Release Date November 04, 2005
This CD is a collection made up from earlier records with typical trad jazz input for which Monty Sunshine is famed. However it is not just Monty Sunshine clarinet dominated, as all the musicians are superb with particularly forceful contributions from trombone, trumpet and banjo. There are opportunities for solos in addition to excellent ensemble playing, and though sometimes a little strained the music is always professional. There is a mixture of live and studio recordings, but all are equally well produced.
The choice of numbers is trad jazz inspired with everything from traditional pieces and spirituals to popular tunes and anything melodic in between. The first track is a German cradle song "Sleep My Little Prince" and immediately ... Read More:
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