CD-Charts Position 81

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1955

CD-Charts > Music > Clarinet
by: Bob Helm

Release Date March 16, 2004

CD-Charts Position 82

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Gotta Travel on

CD-Charts > Music > Clarinet
by: Monty Sunshine

Release Date March 09, 1992

CD-Charts Position 83

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George Lewis of New Orleans

CD-Charts > Music > Clarinet
by: George Lewis

Release Date June 05, 1995

CD-Charts Position 84

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New Orleans Traditional Jazz Legends, Vol. 2

CD-Charts > Music > Clarinet
by: Various

Release Date April 16, 1995

CD-Charts Position 85

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The Beverly Caverns Sessions, Vol. 2

CD-Charts > Music > Clarinet
by: George Lewis

Release Date August 13, 1996

CD-Charts Position 86

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A Portrait of George Lewis

CD-Charts > Music > Clarinet
by: George Lewis

Release Date August 01, 1995

CD-Charts Position 87
Average Rating:

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Jazz in the Classic New Orleans Tradition [VINYL]

CD-Charts > Music > Clarinet
by: George Lewis

Release Date July 01, 1991
George Lewis was a gifted and forceful clarinetist in the Johnny Dodds style. He stayed on in New Orleans after the closing of Storyville and the move of jazz to Chicago and beyond, and he was largely unknown until he played with Bunk Johnson as part of the revivalist movement in the early 1940s. The tracks for this superb CD were recorded in New Orleans in 1951 and 1953. The CD is in two halves having 6 tracks by a quartet with support for George Lewis's clarinet from piano, banjo and bass; and 6 tracks by a traditional band with trumpet and trombone joining George Lewis in the front line, and support from piano, banjo, bass and drums.

Revivalism implies that traditional jazz had at best been superceded, or had been lost, or even ... Read More:

CD-Charts Position 88
Average Rating:

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Digital Remastered Best

CD-Charts > Music > Clarinet
by: Peter Allen

Release Date
George Lewis was a gifted and forceful clarinetist in the Johnny Dodds style. He stayed on in New Orleans after the closing of Storyville and the move of jazz to Chicago and beyond, and he was largely unknown until he played with Bunk Johnson as part of the revivalist movement in the early 1940s. The tracks for this superb CD were recorded in New Orleans in 1951 and 1953. The CD is in two halves having 6 tracks by a quartet with support for George Lewis's clarinet from piano, banjo and bass; and 6 tracks by a traditional band with trumpet and trombone joining George Lewis in the front line, and support from piano, banjo, bass and drums.

Revivalism implies that traditional jazz had at best been superceded, or had been lost, or even ... Read More:

CD-Charts Position 89
Average Rating:

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Classic New Orleans Jazz Vol.1

CD-Charts > Music > Clarinet
by: George Lewis

Release Date September 15, 2000
George Lewis was a gifted and forceful clarinetist in the Johnny Dodds style. He stayed on in New Orleans after the closing of Storyville and the move of jazz to Chicago and beyond, and he was largely unknown until he played with Bunk Johnson as part of the revivalist movement in the early 1940s. The tracks for this superb CD were recorded in New Orleans in 1951 and 1953. The CD is in two halves having 6 tracks by a quartet with support for George Lewis's clarinet from piano, banjo and bass; and 6 tracks by a traditional band with trumpet and trombone joining George Lewis in the front line, and support from piano, banjo, bass and drums.

Revivalism implies that traditional jazz had at best been superceded, or had been lost, or even ... Read More:

CD-Charts Position 90
Average Rating:

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With Red Allen [European Import]

CD-Charts > Music > Clarinet
by: George Lewis

Release Date September 16, 2004
George Lewis was a gifted and forceful clarinetist in the Johnny Dodds style. He stayed on in New Orleans after the closing of Storyville and the move of jazz to Chicago and beyond, and he was largely unknown until he played with Bunk Johnson as part of the revivalist movement in the early 1940s. The tracks for this superb CD were recorded in New Orleans in 1951 and 1953. The CD is in two halves having 6 tracks by a quartet with support for George Lewis's clarinet from piano, banjo and bass; and 6 tracks by a traditional band with trumpet and trombone joining George Lewis in the front line, and support from piano, banjo, bass and drums.

Revivalism implies that traditional jazz had at best been superceded, or had been lost, or even ... Read More: