CD-Charts Position 271

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Hot Fives & Sevens, Vol. 3

CD-Charts > Music > Early Jazz
by: Louis Armstrong

Release Date October 25, 1990

CD-Charts Position 272

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Really the Blues: Original Recordings 1932-1941

CD-Charts > Music > Early Jazz
by: Sidney Bechet

Release Date February 21, 1997

CD-Charts Position 273

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Bix Restored, Vol. 3

CD-Charts > Music > Early Jazz
by: Bix Beiderbecke

Release Date June 19, 2001

CD-Charts Position 274

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The Hawk Flies High [VINYL]

CD-Charts > Music > Early Jazz
by: Coleman Hawkins

Release Date October 08, 1991

CD-Charts Position 275

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A Few Miles from Memphis

CD-Charts > Music > Early Jazz
by: Harold Mabern, George Coleman, Blue Mitchell

Release Date September 20, 2004

CD-Charts Position 276

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Bix Restored, Vol. 4

CD-Charts > Music > Early Jazz
by: Bix Beiderbecke

Release Date January 21, 2003

CD-Charts Position 277
Average Rating:

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On the Way Up

CD-Charts > Music > Early Jazz
by: Johnny Hodges

Release Date September 27, 1997
On this Album Hodges is at least what we would expect - if not better. The Rhythm & Blues idiom does not entirely suit Hodges' style, though he could play 'down and out' with the best of them. However, as the sublime performer that he was, he certainly does not disgrace himself here. This album contains some of the best examples of his ability to bend the note and gliss with such smoothness that the note hardly appears to change.
While Wild Bill Davies is undoubtedly a fine organist, i have never been convinced by the relevance of the organ in Jazz, and this album does nothing to sway my belief. The best example comes in 'Drop Me Off In Harlem', when he has an opportunity to groove a hard-swinging solo. What he plays is undoubtably ... Read More:

CD-Charts Position 278
Average Rating:

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The Best of Puccini

CD-Charts > Music > Early Jazz
from: Decca

Release Date April 11, 2005
On this Album Hodges is at least what we would expect - if not better. The Rhythm & Blues idiom does not entirely suit Hodges' style, though he could play 'down and out' with the best of them. However, as the sublime performer that he was, he certainly does not disgrace himself here. This album contains some of the best examples of his ability to bend the note and gliss with such smoothness that the note hardly appears to change.
While Wild Bill Davies is undoubtedly a fine organist, i have never been convinced by the relevance of the organ in Jazz, and this album does nothing to sway my belief. The best example comes in 'Drop Me Off In Harlem', when he has an opportunity to groove a hard-swinging solo. What he plays is undoubtably ... Read More:

CD-Charts Position 279
Average Rating:

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Red Nichols & Miff Mole 1925-1927

CD-Charts > Music > Early Jazz
by: Red Nichols

Release Date June 01, 2006
On this Album Hodges is at least what we would expect - if not better. The Rhythm & Blues idiom does not entirely suit Hodges' style, though he could play 'down and out' with the best of them. However, as the sublime performer that he was, he certainly does not disgrace himself here. This album contains some of the best examples of his ability to bend the note and gliss with such smoothness that the note hardly appears to change.
While Wild Bill Davies is undoubtedly a fine organist, i have never been convinced by the relevance of the organ in Jazz, and this album does nothing to sway my belief. The best example comes in 'Drop Me Off In Harlem', when he has an opportunity to groove a hard-swinging solo. What he plays is undoubtably ... Read More:

CD-Charts Position 280
Average Rating:

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At the Piano

CD-Charts > Music > Early Jazz
by: Fats Waller

Release Date March 31, 2003
On this Album Hodges is at least what we would expect - if not better. The Rhythm & Blues idiom does not entirely suit Hodges' style, though he could play 'down and out' with the best of them. However, as the sublime performer that he was, he certainly does not disgrace himself here. This album contains some of the best examples of his ability to bend the note and gliss with such smoothness that the note hardly appears to change.
While Wild Bill Davies is undoubtedly a fine organist, i have never been convinced by the relevance of the organ in Jazz, and this album does nothing to sway my belief. The best example comes in 'Drop Me Off In Harlem', when he has an opportunity to groove a hard-swinging solo. What he plays is undoubtably ... Read More: