CD-Charts Position 31

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Columbia Jazz 1955-1966

CD-Charts > Music > Early Jazz
by: Louis Armstrong

Release Date January 13, 2003

CD-Charts Position 32
Average Rating:

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Father of Jazz Trombone

CD-Charts > Music > Early Jazz
by: Jack Teagarden

Release Date February 09, 2004
This triple set celebrates the career of the admired musician during his most productive period from 1928-1947. With warmly unique trombone style heavily influenced by the blues but mixed with a hint of Dixieland, Teagarden set the standard for all his contemporaries. By occasionally adding vocals, his personality developed in a similar way to Louis Armstrong. His links with many band formations and musicians; Goodman, Eddie Condon, Paul Whiteman, Joe Venuti, Coleman Hawkins and Bobby Hackett: singers - Lee Wiley, Hot Lips Page, Johnny Mercer amongst them: songs, I'VE GOT A RIGHT TO SING THE BLUES, THE SHEIK OF ARABY, THAT'S A SERIOUS THING and ST LOUIS BLUES, provide just a few clues to what is contained amongst the 72 tracks which never fails ... Read More:

CD-Charts Position 33
Average Rating:

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Bud Freeman: Swingin' with 'The Eel' [IMPORT]

CD-Charts > Music > Early Jazz
by: Bud Freeman

Release Date October 05, 1998
This triple set celebrates the career of the admired musician during his most productive period from 1928-1947. With warmly unique trombone style heavily influenced by the blues but mixed with a hint of Dixieland, Teagarden set the standard for all his contemporaries. By occasionally adding vocals, his personality developed in a similar way to Louis Armstrong. His links with many band formations and musicians; Goodman, Eddie Condon, Paul Whiteman, Joe Venuti, Coleman Hawkins and Bobby Hackett: singers - Lee Wiley, Hot Lips Page, Johnny Mercer amongst them: songs, I'VE GOT A RIGHT TO SING THE BLUES, THE SHEIK OF ARABY, THAT'S A SERIOUS THING and ST LOUIS BLUES, provide just a few clues to what is contained amongst the 72 tracks which never fails ... Read More:

CD-Charts Position 34
Average Rating:

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Pennies from Heaven

CD-Charts > Music > Early Jazz
by: Louis Armstrong

Release Date September 18, 2000
This triple set celebrates the career of the admired musician during his most productive period from 1928-1947. With warmly unique trombone style heavily influenced by the blues but mixed with a hint of Dixieland, Teagarden set the standard for all his contemporaries. By occasionally adding vocals, his personality developed in a similar way to Louis Armstrong. His links with many band formations and musicians; Goodman, Eddie Condon, Paul Whiteman, Joe Venuti, Coleman Hawkins and Bobby Hackett: singers - Lee Wiley, Hot Lips Page, Johnny Mercer amongst them: songs, I'VE GOT A RIGHT TO SING THE BLUES, THE SHEIK OF ARABY, THAT'S A SERIOUS THING and ST LOUIS BLUES, provide just a few clues to what is contained amongst the 72 tracks which never fails ... Read More:

CD-Charts Position 35
Average Rating:

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Tommy Dorsey and His Greatest Band

CD-Charts > Music > Early Jazz
by: Tommy Dorsey

Release Date November 11, 2000
This triple set celebrates the career of the admired musician during his most productive period from 1928-1947. With warmly unique trombone style heavily influenced by the blues but mixed with a hint of Dixieland, Teagarden set the standard for all his contemporaries. By occasionally adding vocals, his personality developed in a similar way to Louis Armstrong. His links with many band formations and musicians; Goodman, Eddie Condon, Paul Whiteman, Joe Venuti, Coleman Hawkins and Bobby Hackett: singers - Lee Wiley, Hot Lips Page, Johnny Mercer amongst them: songs, I'VE GOT A RIGHT TO SING THE BLUES, THE SHEIK OF ARABY, THAT'S A SERIOUS THING and ST LOUIS BLUES, provide just a few clues to what is contained amongst the 72 tracks which never fails ... Read More:

CD-Charts Position 36
Average Rating:

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The Boogie Woogie Man: Original Mono Recordings 1935-1943

CD-Charts > Music > Early Jazz
by: Albert Ammons

Release Date May 01, 1999
This triple set celebrates the career of the admired musician during his most productive period from 1928-1947. With warmly unique trombone style heavily influenced by the blues but mixed with a hint of Dixieland, Teagarden set the standard for all his contemporaries. By occasionally adding vocals, his personality developed in a similar way to Louis Armstrong. His links with many band formations and musicians; Goodman, Eddie Condon, Paul Whiteman, Joe Venuti, Coleman Hawkins and Bobby Hackett: singers - Lee Wiley, Hot Lips Page, Johnny Mercer amongst them: songs, I'VE GOT A RIGHT TO SING THE BLUES, THE SHEIK OF ARABY, THAT'S A SERIOUS THING and ST LOUIS BLUES, provide just a few clues to what is contained amongst the 72 tracks which never fails ... Read More:

CD-Charts Position 37
Average Rating:

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Freddie Keppard - the Complete Set 1923-1926

CD-Charts > Music > Early Jazz
by: Freddie Keppard

Release Date June 01, 2006
This triple set celebrates the career of the admired musician during his most productive period from 1928-1947. With warmly unique trombone style heavily influenced by the blues but mixed with a hint of Dixieland, Teagarden set the standard for all his contemporaries. By occasionally adding vocals, his personality developed in a similar way to Louis Armstrong. His links with many band formations and musicians; Goodman, Eddie Condon, Paul Whiteman, Joe Venuti, Coleman Hawkins and Bobby Hackett: singers - Lee Wiley, Hot Lips Page, Johnny Mercer amongst them: songs, I'VE GOT A RIGHT TO SING THE BLUES, THE SHEIK OF ARABY, THAT'S A SERIOUS THING and ST LOUIS BLUES, provide just a few clues to what is contained amongst the 72 tracks which never fails ... Read More:

CD-Charts Position 38
Average Rating:

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The Very Best of Fats Waller

CD-Charts > Music > Early Jazz
by: Fats Waller

Release Date March 07, 2001
This triple set celebrates the career of the admired musician during his most productive period from 1928-1947. With warmly unique trombone style heavily influenced by the blues but mixed with a hint of Dixieland, Teagarden set the standard for all his contemporaries. By occasionally adding vocals, his personality developed in a similar way to Louis Armstrong. His links with many band formations and musicians; Goodman, Eddie Condon, Paul Whiteman, Joe Venuti, Coleman Hawkins and Bobby Hackett: singers - Lee Wiley, Hot Lips Page, Johnny Mercer amongst them: songs, I'VE GOT A RIGHT TO SING THE BLUES, THE SHEIK OF ARABY, THAT'S A SERIOUS THING and ST LOUIS BLUES, provide just a few clues to what is contained amongst the 72 tracks which never fails ... Read More:

CD-Charts Position 39
Average Rating:

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The Apex of New Orleans Jazz: His 25 Greatest

CD-Charts > Music > Early Jazz
by: Jimmie Noone

Release Date April 01, 1997
This CD is from the Living Era series of historical jazz recordings, and I am perhaps harsh in awarding only a "3-star" rating. This is more a reflection on the choice of recordings rather than the quality of Jimmie Noone's clarinet playing. There are 25 tracks on the CD in chronological order from 1923 to 1944. The CD covers Jimmie Noone's career over these years from 1923 when he first recorded with Ollie Power's Syncopators until a chance radio recording with Kid Ory in 1944, the year of his death. Jimmie Noone was playing clarinet in New Orleans before any jazz recordings, and his graceful and fluid tone made him sought after by numerous bands.

For me the best tracks are the first 3 in 1923 and 1926, particularly"Here ... Read More:

CD-Charts Position 40
Average Rating:

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Great Original Performances (1931-1939)

CD-Charts > Music > Early Jazz
by: Muggsy Spanier

Release Date October 27, 1998
This CD is from the Living Era series of historical jazz recordings, and I am perhaps harsh in awarding only a "3-star" rating. This is more a reflection on the choice of recordings rather than the quality of Jimmie Noone's clarinet playing. There are 25 tracks on the CD in chronological order from 1923 to 1944. The CD covers Jimmie Noone's career over these years from 1923 when he first recorded with Ollie Power's Syncopators until a chance radio recording with Kid Ory in 1944, the year of his death. Jimmie Noone was playing clarinet in New Orleans before any jazz recordings, and his graceful and fluid tone made him sought after by numerous bands.

For me the best tracks are the first 3 in 1923 and 1926, particularly"Here ... Read More: