CD-Charts Position 41

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A Different Light

CD-Charts > Music > Electro-Acoustic
by: Anne Dudley

Release Date February 04, 2002

CD-Charts Position 42

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Dance of the Light

CD-Charts > Music > Electro-Acoustic
by: James Asher

Release Date October 01, 1999

CD-Charts Position 43

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I'm Happy, and I'm Singing, and a 1,2,3,4

CD-Charts > Music > Electro-Acoustic
by: Jim O'Rourke

Release Date

CD-Charts Position 44

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Bridge

CD-Charts > Music > Electro-Acoustic
by: Oystein Sevag

Release Date September 25, 1997

CD-Charts Position 45
Average Rating:

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Angels of Venice

CD-Charts > Music > Electro-Acoustic
by: Angels Of Venice

Release Date March 20, 2000
The Angels: Carol Tatum, Joanne Paratore, Laura Halladay, and Peggy Baldwin, have produced a musical work of art, that is second to none. The music is pure and free flowing, and produced by Carol Tatum without any apparent commercial compromise, it is exciting and rewarding to listen to. Sad Lisa, Lionhart, After The Harvest, and Queen of The Sun, are my personal favourite tracks, but to truly enjoy Queen of The Sun, I have to listen to all of the preceding tracks, and that's OK by me. As various themes are introduced, explored, and combined you are seduced on a wonderful timeless journey of discovery.

CD-Charts Position 46
Average Rating:

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Morricone in the Brain

CD-Charts > Music > Electro-Acoustic
by: Ennio Morricone

Release Date January 22, 2007
There's absolutely no doubting the quality of the music on offer here. The previous reviewer is absolutely right in talking about the eclectic nature of this compilation, which is a fitting tribute to Morricone's musical diversity. Morricone On The Brain is a little too long for me, however. The first seven or so tracks are fabulous and the album then drifts a little in the middle before picking up again at around track 16. I think that if the album had been slightly shorter and the tracks rearranged so that it doesn't peak too soon, M' On The Brain would make for a more satisfying listen. The Mondo Morricone compilations appear to be more readily available recently and I would recommend that you start with these first.

CD-Charts Position 47
Average Rating:

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Fill the Heart Shaped Cup

CD-Charts > Music > Electro-Acoustic
by: Carlos Niño, Miguel Atwood-Ferguson

Release Date February 13, 2007
There's absolutely no doubting the quality of the music on offer here. The previous reviewer is absolutely right in talking about the eclectic nature of this compilation, which is a fitting tribute to Morricone's musical diversity. Morricone On The Brain is a little too long for me, however. The first seven or so tracks are fabulous and the album then drifts a little in the middle before picking up again at around track 16. I think that if the album had been slightly shorter and the tracks rearranged so that it doesn't peak too soon, M' On The Brain would make for a more satisfying listen. The Mondo Morricone compilations appear to be more readily available recently and I would recommend that you start with these first.

CD-Charts Position 48
Average Rating:

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Fire Dance

CD-Charts > Music > Electro-Acoustic
by: Brian Keane and Omar Faruk Tekbilek

Release Date October 01, 1999

His name is Omar Faruk Tekbilek, but you can call him Faruk. "Everyone does," says his longtime producer and collaborator, Brian Keane. Faruk has an unusual story, one in which Keane's Connecticut studio figures prominently.

Faruk's first international exposure was on Keane's 1988 album Süleyman the Magnificent (13023. A film was being made about the Ottoman emperor Süleyman to coincide with the opening of an exhibition at New York's Metropolitan Museum of Art, and Brian Keane was hired to do the soundtrack. "I knew I wanted to incorporate Turkish instruments and players," he recalls, "but the Met saddled me with a bunch of professors--all intellect and no emotion." Desperate to move the recording along, Keane called Arif Mardin, ... Read More:

CD-Charts Position 49
Average Rating:

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Windham Hill - Sanctuary: 20 Years of Windham Hill

CD-Charts > Music > Electro-Acoustic
by: Various Artists

Release Date July 01, 1996

His name is Omar Faruk Tekbilek, but you can call him Faruk. "Everyone does," says his longtime producer and collaborator, Brian Keane. Faruk has an unusual story, one in which Keane's Connecticut studio figures prominently.

Faruk's first international exposure was on Keane's 1988 album Süleyman the Magnificent (13023. A film was being made about the Ottoman emperor Süleyman to coincide with the opening of an exhibition at New York's Metropolitan Museum of Art, and Brian Keane was hired to do the soundtrack. "I knew I wanted to incorporate Turkish instruments and players," he recalls, "but the Met saddled me with a bunch of professors--all intellect and no emotion." Desperate to move the recording along, Keane called Arif Mardin, ... Read More:

CD-Charts Position 50
Average Rating:

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XenocodeX

CD-Charts > Music > Electro-Acoustic
by: Elliott Sharp

Release Date

His name is Omar Faruk Tekbilek, but you can call him Faruk. "Everyone does," says his longtime producer and collaborator, Brian Keane. Faruk has an unusual story, one in which Keane's Connecticut studio figures prominently.

Faruk's first international exposure was on Keane's 1988 album Süleyman the Magnificent (13023. A film was being made about the Ottoman emperor Süleyman to coincide with the opening of an exhibition at New York's Metropolitan Museum of Art, and Brian Keane was hired to do the soundtrack. "I knew I wanted to incorporate Turkish instruments and players," he recalls, "but the Met saddled me with a bunch of professors--all intellect and no emotion." Desperate to move the recording along, Keane called Arif Mardin, ... Read More: