CD-Charts Position 181

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Fresh Aire II

CD-Charts > Music > Neo-Classical
by: Mannheim Steamroller

Release Date October 25, 1990

CD-Charts Position 182

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The Nutcracker Suite

CD-Charts > Music > Neo-Classical
by: The Modern Mandolin Quartet

Release Date July 01, 1991

CD-Charts Position 183

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Greatest Hits

CD-Charts > Music > Neo-Classical
by: Vangelis

Release Date June 25, 1991

CD-Charts Position 184
Average Rating:

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Les Ondes Silencieuses

CD-Charts > Music > Neo-Classical
by: Colleen

Release Date May 21, 2007
This wafts along pleasantly enough, I suppose. But really it consists of rather self-indulgent, improvisatory noodlings on a variety of renaissance and early Baroque instruments. Cecile can obviously play, but this manages to be neither an interesting ambient album played on acoustic instruments (compare Robert Rich's "Temple of the Invisible") or a worthwhile fusion of styles. I have an unfortunate image of a rather drippy woman improvising soulfully on the gamba and noodling on the spinet. I cannot deny I'm something of a musical snob, but I'm usually open to something fresh and interesting. This is neither.

Oh, and the viol, or viola da gamba, isn't an ancestor of the 'cello or the electric bass. It's a family of instruments ... Read More:

CD-Charts Position 185
Average Rating:

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Christmas Extraordinaire

CD-Charts > Music > Neo-Classical
by: Mannheim Steamroller

Release Date October 30, 2001
This wafts along pleasantly enough, I suppose. But really it consists of rather self-indulgent, improvisatory noodlings on a variety of renaissance and early Baroque instruments. Cecile can obviously play, but this manages to be neither an interesting ambient album played on acoustic instruments (compare Robert Rich's "Temple of the Invisible") or a worthwhile fusion of styles. I have an unfortunate image of a rather drippy woman improvising soulfully on the gamba and noodling on the spinet. I cannot deny I'm something of a musical snob, but I'm usually open to something fresh and interesting. This is neither.

Oh, and the viol, or viola da gamba, isn't an ancestor of the 'cello or the electric bass. It's a family of instruments ... Read More:

CD-Charts Position 186
Average Rating:

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Dreams [IMPORT]

CD-Charts > Music > Neo-Classical
by: Richard Stoltzman

Release Date January 18, 1994
This wafts along pleasantly enough, I suppose. But really it consists of rather self-indulgent, improvisatory noodlings on a variety of renaissance and early Baroque instruments. Cecile can obviously play, but this manages to be neither an interesting ambient album played on acoustic instruments (compare Robert Rich's "Temple of the Invisible") or a worthwhile fusion of styles. I have an unfortunate image of a rather drippy woman improvising soulfully on the gamba and noodling on the spinet. I cannot deny I'm something of a musical snob, but I'm usually open to something fresh and interesting. This is neither.

Oh, and the viol, or viola da gamba, isn't an ancestor of the 'cello or the electric bass. It's a family of instruments ... Read More:

CD-Charts Position 187
Average Rating:

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All By Myself

CD-Charts > Music > Neo-Classical
by: Richard Clayderman

Release Date July 22, 2002
This wafts along pleasantly enough, I suppose. But really it consists of rather self-indulgent, improvisatory noodlings on a variety of renaissance and early Baroque instruments. Cecile can obviously play, but this manages to be neither an interesting ambient album played on acoustic instruments (compare Robert Rich's "Temple of the Invisible") or a worthwhile fusion of styles. I have an unfortunate image of a rather drippy woman improvising soulfully on the gamba and noodling on the spinet. I cannot deny I'm something of a musical snob, but I'm usually open to something fresh and interesting. This is neither.

Oh, and the viol, or viola da gamba, isn't an ancestor of the 'cello or the electric bass. It's a family of instruments ... Read More:

CD-Charts Position 188
Average Rating:

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Gifts of the Heart

CD-Charts > Music > Neo-Classical
by: Tim Janis

Release Date February 27, 2007
This wafts along pleasantly enough, I suppose. But really it consists of rather self-indulgent, improvisatory noodlings on a variety of renaissance and early Baroque instruments. Cecile can obviously play, but this manages to be neither an interesting ambient album played on acoustic instruments (compare Robert Rich's "Temple of the Invisible") or a worthwhile fusion of styles. I have an unfortunate image of a rather drippy woman improvising soulfully on the gamba and noodling on the spinet. I cannot deny I'm something of a musical snob, but I'm usually open to something fresh and interesting. This is neither.

Oh, and the viol, or viola da gamba, isn't an ancestor of the 'cello or the electric bass. It's a family of instruments ... Read More:

CD-Charts Position 189
Average Rating:

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The Promise

CD-Charts > Music > Neo-Classical
by: Tim Janis

Release Date February 08, 2005
This wafts along pleasantly enough, I suppose. But really it consists of rather self-indulgent, improvisatory noodlings on a variety of renaissance and early Baroque instruments. Cecile can obviously play, but this manages to be neither an interesting ambient album played on acoustic instruments (compare Robert Rich's "Temple of the Invisible") or a worthwhile fusion of styles. I have an unfortunate image of a rather drippy woman improvising soulfully on the gamba and noodling on the spinet. I cannot deny I'm something of a musical snob, but I'm usually open to something fresh and interesting. This is neither.

Oh, and the viol, or viola da gamba, isn't an ancestor of the 'cello or the electric bass. It's a family of instruments ... Read More:

CD-Charts Position 190
Average Rating:

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Visions

CD-Charts > Music > Neo-Classical
by: Libera

Release Date October 17, 2005
When I heard that Libera had another album due for release only twelve months after their last one, I wondered if the standard of 'Free' could be repeated with 'Visions'. I need not have worried. The quality is every bit as good and in some cases improved upon. Changes in personnel (necessitated by biological progression!) do not trouble Libera as they seem to have an endless supply of top quality soloists apparent in many of these tracks. If, like me, you have all of their recordings dating back to their 'Angel Voices' albums, you may notice that some of the tracks on 'Visions' are already on some of their earlier offerings. Don't let this put you off. They are completely different arrangements and ... Read More: