CD-Charts Position 121

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Britten conducts Britten: Opera Vol.1

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by: Benjamin Britten

Release Date May 10, 2004

CD-Charts Position 122
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Britten: Peter Grimes

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by: Covent Garden Benjamin Britten, Covent Garden Orchestra of the Royal Opera House, Peter Pears Chorus of the Royal Opera House

Release Date April 09, 2001
There have been many productions of Grimes around the world and a good few recordings made since this first one was committed to disc nearly half a century ago. From our perspective in the 21st Century it is hard to recall the huge impact made by the first production at Sadlers' Wells in 1946 and by this recording just a decade or so later. It's now easier to see the antecedents and ancestors of the piece - Verdi, Mahler, even Mozart. At the time it seemed a really revolutionary piece, not only for British but also for worldwide opera.

The recording, too, was something new. This was the first time that John Culshaw and his Decca team had fully implemented their ideas for making a real production out of a stereo opera recording. ... Read More:

CD-Charts Position 123
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Britten: A Midsummer Night's Dream

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from: London

Release Date March 22, 1990
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:

CD-Charts Position 124
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Britten conducts Britten: Opera Vol.2

Search: Britten
by: Benjamin Britten

Release Date November 08, 2004
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:

CD-Charts Position 125
Average Rating:

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Purcell: Fairy Queen / Dido and Aeneas

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by: Jennifer Vyvyan Janet Baker Peter Pears Ambrosian Opera Chorus English Chamber Orchestra Benjamin Britten Aldeburgh Festival Strings Steuart Bedford

Release Date September 10, 2001
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More: