CD-Charts Position 1

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Maximum Rave

Search: Everybody In The Place - Prodigy (1)
by: Various Artists

Release Date September 01, 1992

CD-Charts Position 2
Average Rating:

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Ministry of Sound Anthems

Search: Everybody In The Place - Prodigy (1)
by: Various Artists

Release Date November 19, 2007
I buy dance compilations primarily to listen to good mixing between (good) tracks. The track selection on this package isn't awful, OK there are some tracks that perhaps shouldn't be there, but what annoys me slightly is the total lack of any careful mixing between tracks. Some transitions are as smooth as silk, whereas others are a simple fade down and fade up which all takes place in about 3 seconds, or just a crash edit, which I find defeats the point of buying an album such as this.

When will MOS return to letting actual named DJ's mix their output?

CD-Charts Position 3
Average Rating:

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Dreamscape 1992-2006

Search: Everybody In The Place - Prodigy (1)
by: Various Artists

Release Date April 24, 2006
I buy dance compilations primarily to listen to good mixing between (good) tracks. The track selection on this package isn't awful, OK there are some tracks that perhaps shouldn't be there, but what annoys me slightly is the total lack of any careful mixing between tracks. Some transitions are as smooth as silk, whereas others are a simple fade down and fade up which all takes place in about 3 seconds, or just a crash edit, which I find defeats the point of buying an album such as this.

When will MOS return to letting actual named DJ's mix their output?

CD-Charts Position 4
Average Rating:

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Rave 92

Search: Everybody In The Place - Prodigy (1)
by: Various Artists

Release Date November 01, 1992
I buy dance compilations primarily to listen to good mixing between (good) tracks. The track selection on this package isn't awful, OK there are some tracks that perhaps shouldn't be there, but what annoys me slightly is the total lack of any careful mixing between tracks. Some transitions are as smooth as silk, whereas others are a simple fade down and fade up which all takes place in about 3 seconds, or just a crash edit, which I find defeats the point of buying an album such as this.

When will MOS return to letting actual named DJ's mix their output?

CD-Charts Position 5
Average Rating:

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Big Dance Hits 1992 [CASSETTE]

Search: Everybody In The Place - Prodigy (1)
by: Various Artists

Release Date November 01, 1992
I buy dance compilations primarily to listen to good mixing between (good) tracks. The track selection on this package isn't awful, OK there are some tracks that perhaps shouldn't be there, but what annoys me slightly is the total lack of any careful mixing between tracks. Some transitions are as smooth as silk, whereas others are a simple fade down and fade up which all takes place in about 3 seconds, or just a crash edit, which I find defeats the point of buying an album such as this.

When will MOS return to letting actual named DJ's mix their output?

CD-Charts Position 6
Average Rating:

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Techno State

Search: Everybody In The Place - Prodigy (1)
by: Various Artists

Release Date March 01, 1992
I buy dance compilations primarily to listen to good mixing between (good) tracks. The track selection on this package isn't awful, OK there are some tracks that perhaps shouldn't be there, but what annoys me slightly is the total lack of any careful mixing between tracks. Some transitions are as smooth as silk, whereas others are a simple fade down and fade up which all takes place in about 3 seconds, or just a crash edit, which I find defeats the point of buying an album such as this.

When will MOS return to letting actual named DJ's mix their output?

CD-Charts Position 7
Average Rating:

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Rave Anthems

Search: Everybody In The Place - Prodigy (1)
by: Various Artists

Release Date November 26, 2001
I buy dance compilations primarily to listen to good mixing between (good) tracks. The track selection on this package isn't awful, OK there are some tracks that perhaps shouldn't be there, but what annoys me slightly is the total lack of any careful mixing between tracks. Some transitions are as smooth as silk, whereas others are a simple fade down and fade up which all takes place in about 3 seconds, or just a crash edit, which I find defeats the point of buying an album such as this.

When will MOS return to letting actual named DJ's mix their output?

CD-Charts Position 8
Average Rating:

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Rave Anthems [VINYL]

Search: Everybody In The Place - Prodigy (1)
by: Various Artists

Release Date July 01, 1995
I buy dance compilations primarily to listen to good mixing between (good) tracks. The track selection on this package isn't awful, OK there are some tracks that perhaps shouldn't be there, but what annoys me slightly is the total lack of any careful mixing between tracks. Some transitions are as smooth as silk, whereas others are a simple fade down and fade up which all takes place in about 3 seconds, or just a crash edit, which I find defeats the point of buying an album such as this.

When will MOS return to letting actual named DJ's mix their output?

CD-Charts Position 9
Average Rating:

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The First Chapters

Search: Everybody In The Place - Prodigy (1)
by: Various Artists

Release Date August 04, 2008
Between 1990 and 1995, XL Recordings issued a series of compilations (Chapters) featuring the cream of the underground club hits of the day - the 12 inchers often specially re-mixed for these albums. In total, there were five UK Chapters, one USA Chapter plus a Video Chapter.

XL - The First Chapters compiles the best, directly signed, XL hits and, for the first time, features all the SL2 singles together on one album, as well as early hits from The Prodigy, Kicks Like A Mule, Liquid and Awesome 3.

While these dance albums traditionally featured basic packaging, this re-issue celebrates the quality of XL Recordings with a special 12" vinyl replica, gatefold XL pack, and includes 8 collectors cards for the bands (and ... Read More: