CD-Charts Position 1

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Handel: Solomon

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from: Philips

Release Date October 11, 2004

CD-Charts Position 2
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Handel: Solomon

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by: Nancy Argenta Barbara Hendricks Carolyn Watkinson Anthony Rolfe Johnson The Monteverdi Choir English Baroque Soloists John Eliot Gardiner

Release Date May 15, 2006
Reviewing a PG Rosette recording in detail after more than two decades would be superfluous. This being my first SOLOMON, I confess that I didn't find much of the score entirely memorable at the beginning, but those gems revealed themselves on repeated hearings; however, my all-time favourite Handel oratorio is still THEODORA. Though I can't find fault with its performative and sonic qualities, this classic recording has to lose a star on account of Gardiner's fatal decision to eliminate five arias: in the accompanying booklet, JEG defends sanctioning the cuts, arguing (unconvincingly for me) that they were composed for specific singers (aren't many of those singer requests masterpieces?), and that they hold up the action (if this were the case, ... Read More:

CD-Charts Position 3
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Handel: Oratorios

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by: John Eliot Gardiner

Release Date September 19, 2005
Reviewing a PG Rosette recording in detail after more than two decades would be superfluous. This being my first SOLOMON, I confess that I didn't find much of the score entirely memorable at the beginning, but those gems revealed themselves on repeated hearings; however, my all-time favourite Handel oratorio is still THEODORA. Though I can't find fault with its performative and sonic qualities, this classic recording has to lose a star on account of Gardiner's fatal decision to eliminate five arias: in the accompanying booklet, JEG defends sanctioning the cuts, arguing (unconvincingly for me) that they were composed for specific singers (aren't many of those singer requests masterpieces?), and that they hold up the action (if this were the case, ... Read More:

CD-Charts Position 4
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Handel: Athalia

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by: Christopher Hogwood, Joan Sutherland, Emma Kirkby, James Bowman, Aled Jones, George Frideric Handel

Release Date September 22, 2003
It won the Gramophone choral award in 1987 but the star of this recording is the sublime and truly heavenly singing of Emma Kirby. The recording is a well balanced whole of exquiste moments. Sutherland's slightly deep toned color (a touch of mezzo-soprano color) and her slight vibrato technique make a wonderful counterpart of the evil queen contrasted to the group of the righteous. The choral singing is sublime, clear, direct and vibrant. This is must have for any ,not only for Handelians.

CD-Charts Position 5
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Handel Ortorios (Messiah / Athalia / Esther / La Resurrezione) / AAM, Hogwood

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from: Decca (Universal Classics)

Release Date June 13, 2005
It won the Gramophone choral award in 1987 but the star of this recording is the sublime and truly heavenly singing of Emma Kirby. The recording is a well balanced whole of exquiste moments. Sutherland's slightly deep toned color (a touch of mezzo-soprano color) and her slight vibrato technique make a wonderful counterpart of the evil queen contrasted to the group of the righteous. The choral singing is sublime, clear, direct and vibrant. This is must have for any ,not only for Handelians.

CD-Charts Position 6
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Sur

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by: Astor Piazzolla

Release Date September 15, 1992
It won the Gramophone choral award in 1987 but the star of this recording is the sublime and truly heavenly singing of Emma Kirby. The recording is a well balanced whole of exquiste moments. Sutherland's slightly deep toned color (a touch of mezzo-soprano color) and her slight vibrato technique make a wonderful counterpart of the evil queen contrasted to the group of the righteous. The choral singing is sublime, clear, direct and vibrant. This is must have for any ,not only for Handelians.

CD-Charts Position 7
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Sur [CASSETTE]

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by: Astor Piazzolla

Release Date September 15, 1992
It won the Gramophone choral award in 1987 but the star of this recording is the sublime and truly heavenly singing of Emma Kirby. The recording is a well balanced whole of exquiste moments. Sutherland's slightly deep toned color (a touch of mezzo-soprano color) and her slight vibrato technique make a wonderful counterpart of the evil queen contrasted to the group of the righteous. The choral singing is sublime, clear, direct and vibrant. This is must have for any ,not only for Handelians.

CD-Charts Position 8
Average Rating:

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Sur

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by: Astor Piazzolla

Release Date
It won the Gramophone choral award in 1987 but the star of this recording is the sublime and truly heavenly singing of Emma Kirby. The recording is a well balanced whole of exquiste moments. Sutherland's slightly deep toned color (a touch of mezzo-soprano color) and her slight vibrato technique make a wonderful counterpart of the evil queen contrasted to the group of the righteous. The choral singing is sublime, clear, direct and vibrant. This is must have for any ,not only for Handelians.

CD-Charts Position 9
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Return to the Mothership [CASSETTE]

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by: DJ Melo-Mix

Release Date December 23, 1997
It won the Gramophone choral award in 1987 but the star of this recording is the sublime and truly heavenly singing of Emma Kirby. The recording is a well balanced whole of exquiste moments. Sutherland's slightly deep toned color (a touch of mezzo-soprano color) and her slight vibrato technique make a wonderful counterpart of the evil queen contrasted to the group of the righteous. The choral singing is sublime, clear, direct and vibrant. This is must have for any ,not only for Handelians.