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Release Date October 25, 1990
On this stately and sometimes sombre work, Joan Baez is backed by traditional instruments like recorders, viols, lute, pipe organ, strings and harpsichord. The intention was to make the sound reminiscent of the various periods in which the carols were written. Noel is thus completely different from her 1960s folk recordings with the prominent acoustic guitar.
Her voice is pristine and the arrangements outstanding, especially on tracks like Little Drummer Boy and Ave Maria (a classical arrangement, sung in German). The songs are interspersed with short instrumental like Good King Wenceslas, Bring A Torch, Deck The Halls, Angels We Have Heard On High and Adeste Fidelis, that add to the medieval mood of the album.
Release Date August 14, 2001
On this stately and sometimes sombre work, Joan Baez is backed by traditional instruments like recorders, viols, lute, pipe organ, strings and harpsichord. The intention was to make the sound reminiscent of the various periods in which the carols were written. Noel is thus completely different from her 1960s folk recordings with the prominent acoustic guitar.
Her voice is pristine and the arrangements outstanding, especially on tracks like Little Drummer Boy and Ave Maria (a classical arrangement, sung in German). The songs are interspersed with short instrumental like Good King Wenceslas, Bring A Torch, Deck The Halls, Angels We Have Heard On High and Adeste Fidelis, that add to the medieval mood of the album.
Release Date December 08, 1993
On this stately and sometimes sombre work, Joan Baez is backed by traditional instruments like recorders, viols, lute, pipe organ, strings and harpsichord. The intention was to make the sound reminiscent of the various periods in which the carols were written. Noel is thus completely different from her 1960s folk recordings with the prominent acoustic guitar.
Her voice is pristine and the arrangements outstanding, especially on tracks like Little Drummer Boy and Ave Maria (a classical arrangement, sung in German). The songs are interspersed with short instrumental like Good King Wenceslas, Bring A Torch, Deck The Halls, Angels We Have Heard On High and Adeste Fidelis, that add to the medieval mood of the album.
Release Date December 08, 1993
On this stately and sometimes sombre work, Joan Baez is backed by traditional instruments like recorders, viols, lute, pipe organ, strings and harpsichord. The intention was to make the sound reminiscent of the various periods in which the carols were written. Noel is thus completely different from her 1960s folk recordings with the prominent acoustic guitar.
Her voice is pristine and the arrangements outstanding, especially on tracks like Little Drummer Boy and Ave Maria (a classical arrangement, sung in German). The songs are interspersed with short instrumental like Good King Wenceslas, Bring A Torch, Deck The Halls, Angels We Have Heard On High and Adeste Fidelis, that add to the medieval mood of the album.
Release Date December 12, 2002
On this stately and sometimes sombre work, Joan Baez is backed by traditional instruments like recorders, viols, lute, pipe organ, strings and harpsichord. The intention was to make the sound reminiscent of the various periods in which the carols were written. Noel is thus completely different from her 1960s folk recordings with the prominent acoustic guitar.
Her voice is pristine and the arrangements outstanding, especially on tracks like Little Drummer Boy and Ave Maria (a classical arrangement, sung in German). The songs are interspersed with short instrumental like Good King Wenceslas, Bring A Torch, Deck The Halls, Angels We Have Heard On High and Adeste Fidelis, that add to the medieval mood of the album.
Release Date October 20, 1994
On this stately and sometimes sombre work, Joan Baez is backed by traditional instruments like recorders, viols, lute, pipe organ, strings and harpsichord. The intention was to make the sound reminiscent of the various periods in which the carols were written. Noel is thus completely different from her 1960s folk recordings with the prominent acoustic guitar.
Her voice is pristine and the arrangements outstanding, especially on tracks like Little Drummer Boy and Ave Maria (a classical arrangement, sung in German). The songs are interspersed with short instrumental like Good King Wenceslas, Bring A Torch, Deck The Halls, Angels We Have Heard On High and Adeste Fidelis, that add to the medieval mood of the album.
Release Date March 30, 1992
On this stately and sometimes sombre work, Joan Baez is backed by traditional instruments like recorders, viols, lute, pipe organ, strings and harpsichord. The intention was to make the sound reminiscent of the various periods in which the carols were written. Noel is thus completely different from her 1960s folk recordings with the prominent acoustic guitar.
Her voice is pristine and the arrangements outstanding, especially on tracks like Little Drummer Boy and Ave Maria (a classical arrangement, sung in German). The songs are interspersed with short instrumental like Good King Wenceslas, Bring A Torch, Deck The Halls, Angels We Have Heard On High and Adeste Fidelis, that add to the medieval mood of the album.
Release Date September 30, 1993
On this stately and sometimes sombre work, Joan Baez is backed by traditional instruments like recorders, viols, lute, pipe organ, strings and harpsichord. The intention was to make the sound reminiscent of the various periods in which the carols were written. Noel is thus completely different from her 1960s folk recordings with the prominent acoustic guitar.
Her voice is pristine and the arrangements outstanding, especially on tracks like Little Drummer Boy and Ave Maria (a classical arrangement, sung in German). The songs are interspersed with short instrumental like Good King Wenceslas, Bring A Torch, Deck The Halls, Angels We Have Heard On High and Adeste Fidelis, that add to the medieval mood of the album.
Release Date September 30, 1993
On this stately and sometimes sombre work, Joan Baez is backed by traditional instruments like recorders, viols, lute, pipe organ, strings and harpsichord. The intention was to make the sound reminiscent of the various periods in which the carols were written. Noel is thus completely different from her 1960s folk recordings with the prominent acoustic guitar.
Her voice is pristine and the arrangements outstanding, especially on tracks like Little Drummer Boy and Ave Maria (a classical arrangement, sung in German). The songs are interspersed with short instrumental like Good King Wenceslas, Bring A Torch, Deck The Halls, Angels We Have Heard On High and Adeste Fidelis, that add to the medieval mood of the album.
Release Date August 01, 2000
On this stately and sometimes sombre work, Joan Baez is backed by traditional instruments like recorders, viols, lute, pipe organ, strings and harpsichord. The intention was to make the sound reminiscent of the various periods in which the carols were written. Noel is thus completely different from her 1960s folk recordings with the prominent acoustic guitar.
Her voice is pristine and the arrangements outstanding, especially on tracks like Little Drummer Boy and Ave Maria (a classical arrangement, sung in German). The songs are interspersed with short instrumental like Good King Wenceslas, Bring A Torch, Deck The Halls, Angels We Have Heard On High and Adeste Fidelis, that add to the medieval mood of the album.
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