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CD-Charts Position 1

CD-Charts  Search : Britten conducts Britten: Opera Vol.2
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Britten conducts Britten: Opera Vol.2


Search: On It
by: Benjamin Britten

Release Date November 08, 2004

List Price: £48.99
CD-Charts Price: £31.98
You Save: £17.01 (35%)
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Britten conducts Britten: Opera Vol.2

CD-Charts Position 2
Average Rating:  out of 5 stars
CD-Charts  Search : Britten: A Midsummer Night's Dream
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Britten: A Midsummer Night's Dream


Search: On It
from: London

Release Date March 22, 1990
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:
List Price: £30.99
CD-Charts Price: £25.39
You Save: £5.60 (18%)
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Used Price: £14.99

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Britten: A Midsummer Night's Dream

CD-Charts Position 3
Average Rating:  out of 5 stars
CD-Charts  Search : Return to the Mothership [CASSETTE]
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Return to the Mothership [CASSETTE]


Search: On It
by: DJ Melo-Mix

Release Date December 23, 1997
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:

CD-Charts Position 4
Average Rating:  out of 5 stars
CD-Charts  Search : Return to the Mothership
.

Return to the Mothership


Search: On It
by: DJ Melo-Mix

Release Date December 23, 1997
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:

CD-Charts Position 5
Average Rating:  out of 5 stars
CD-Charts  Search : Winners
.

Winners


Search: On It
by: Tammy Wynette

Release Date January 01, 2003
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:

CD-Charts Position 6
Average Rating:  out of 5 stars
CD-Charts  Search : Winners [CASSETTE]
.

Winners [CASSETTE]


Search: On It
by: Tammy Wynette

Release Date December 01, 1995
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:

CD-Charts Position 7
Average Rating:  out of 5 stars
CD-Charts  Search : Léo Delibes: Lakmé
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Léo Delibes: Lakmé


Search: On It
from: Bella Voce

Release Date January 21, 1997
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:

CD-Charts Position 8
Average Rating:  out of 5 stars
CD-Charts  Search : Likwit Connection
.

Likwit Connection


Search: On It
by: Defari

Release Date December 08, 1998
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:

CD-Charts Position 9
Average Rating:  out of 5 stars
CD-Charts  Search : The Legend of...
.

The Legend of...


Search: On It
by: Hank Williams

Release Date
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:
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