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Release Date June 12, 1990
Norman del Mar was a much-loved and usually very effective conductor. He recorded very little, which is a pity, but his reputation was never front-rank whatever his qualities, and it's names that sell records of familiar repertoire. So it is very nice to have this excellent account of 'Enigma' backed by these spirited marches. The Variations are beautifully played and very well characterised with well-judged tempi and phrasing that is neat and/or lyrical as required. When I first heard the recording (on the radio years ago) I did not know who was conducting and immediately thought of some very big names. Well, del Mar wasn't one of those, but this is still one of the best versions in the catalogue.
Release Date November 10, 2003
Norman del Mar was a much-loved and usually very effective conductor. He recorded very little, which is a pity, but his reputation was never front-rank whatever his qualities, and it's names that sell records of familiar repertoire. So it is very nice to have this excellent account of 'Enigma' backed by these spirited marches. The Variations are beautifully played and very well characterised with well-judged tempi and phrasing that is neat and/or lyrical as required. When I first heard the recording (on the radio years ago) I did not know who was conducting and immediately thought of some very big names. Well, del Mar wasn't one of those, but this is still one of the best versions in the catalogue.
Release Date September 06, 1984
Norman del Mar was a much-loved and usually very effective conductor. He recorded very little, which is a pity, but his reputation was never front-rank whatever his qualities, and it's names that sell records of familiar repertoire. So it is very nice to have this excellent account of 'Enigma' backed by these spirited marches. The Variations are beautifully played and very well characterised with well-judged tempi and phrasing that is neat and/or lyrical as required. When I first heard the recording (on the radio years ago) I did not know who was conducting and immediately thought of some very big names. Well, del Mar wasn't one of those, but this is still one of the best versions in the catalogue.
Release Date August 12, 1997
Norman del Mar was a much-loved and usually very effective conductor. He recorded very little, which is a pity, but his reputation was never front-rank whatever his qualities, and it's names that sell records of familiar repertoire. So it is very nice to have this excellent account of 'Enigma' backed by these spirited marches. The Variations are beautifully played and very well characterised with well-judged tempi and phrasing that is neat and/or lyrical as required. When I first heard the recording (on the radio years ago) I did not know who was conducting and immediately thought of some very big names. Well, del Mar wasn't one of those, but this is still one of the best versions in the catalogue.
Release Date January 24, 2002
I concur in all respects with the comments of "a music fan", as far as Symphony 2 is concerned (I don't have Sym 1 - I bought the 2nd when it first appeared on its own). As much as I love the sounds Elgar makes, his symphonies never convinced me as symphonic wholes until I heard this recording. Without the score in front of me I have no idea whether Sinopoli is adhering to marked tempi and the composer's instructions, but for the first time in my experience (aside from a superb live performance I heard from Andrew Davis with the Toronto Symphony back in the 70s) Symphony 2 comes across as more than a losely-connected series of events. This is certainly a warm, romantic reading but it doesn't wallow. English conductors tend to project Elgar's ... Read More:
Release Date October 22, 2007
I concur in all respects with the comments of "a music fan", as far as Symphony 2 is concerned (I don't have Sym 1 - I bought the 2nd when it first appeared on its own). As much as I love the sounds Elgar makes, his symphonies never convinced me as symphonic wholes until I heard this recording. Without the score in front of me I have no idea whether Sinopoli is adhering to marked tempi and the composer's instructions, but for the first time in my experience (aside from a superb live performance I heard from Andrew Davis with the Toronto Symphony back in the 70s) Symphony 2 comes across as more than a losely-connected series of events. This is certainly a warm, romantic reading but it doesn't wallow. English conductors tend to project Elgar's ... Read More:
Release Date November 14, 2002
I concur in all respects with the comments of "a music fan", as far as Symphony 2 is concerned (I don't have Sym 1 - I bought the 2nd when it first appeared on its own). As much as I love the sounds Elgar makes, his symphonies never convinced me as symphonic wholes until I heard this recording. Without the score in front of me I have no idea whether Sinopoli is adhering to marked tempi and the composer's instructions, but for the first time in my experience (aside from a superb live performance I heard from Andrew Davis with the Toronto Symphony back in the 70s) Symphony 2 comes across as more than a losely-connected series of events. This is certainly a warm, romantic reading but it doesn't wallow. English conductors tend to project Elgar's ... Read More:
Release Date March 12, 1997
I concur in all respects with the comments of "a music fan", as far as Symphony 2 is concerned (I don't have Sym 1 - I bought the 2nd when it first appeared on its own). As much as I love the sounds Elgar makes, his symphonies never convinced me as symphonic wholes until I heard this recording. Without the score in front of me I have no idea whether Sinopoli is adhering to marked tempi and the composer's instructions, but for the first time in my experience (aside from a superb live performance I heard from Andrew Davis with the Toronto Symphony back in the 70s) Symphony 2 comes across as more than a losely-connected series of events. This is certainly a warm, romantic reading but it doesn't wallow. English conductors tend to project Elgar's ... Read More:
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