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Release Date February 09, 2004
I agree wholeheartedly with the review by J.J.Rhodes, but feel I should make the point that the whole set is recorded in full glorious MONO! Once you have got over the shock of the sound stage collapsing into a point source however, the music really is delightful, and takes me back to the days when I used to pay 9d to sit up in the gods at the Golders Green Hippodrome to hear the D'Oyly Carte company sing their way through all those charming numbers. This set has a distinctly dated feel about it, and makes one realise just how much performing styles, as well as recording techniques, have changed in half a century (and some of the artists were clearly chosen for their ability to act rather than their ability to sing!). But for all that, I'm glad ... Read More:
Release Date October 15, 2001
The Duke of Plaza-Toro's instruction to the heirs to the throne of Barataria to preserve a demeanor "still sufficiently dignified" answers a criticism levelled at this series of Savoy Operas recorded under the direction of Sir Malcolm Sargent. Lacking dialogue, and using major British singers who never actually performed on stage in Gilbert and Sullivan, the presentation, especially of the first two of the series to appear, was considered too sedate. A great improvement was made when veteran singer George Baker was invited to participate in the remainder of the series. Although never a member of the D'Oyle Carte Opera company that regularly staged these works until 1961, he had featured in an earlier recorded series, also conducted by Sir Malcolm ... Read More:
Release Date August 08, 2000
The Duke of Plaza-Toro's instruction to the heirs to the throne of Barataria to preserve a demeanor "still sufficiently dignified" answers a criticism levelled at this series of Savoy Operas recorded under the direction of Sir Malcolm Sargent. Lacking dialogue, and using major British singers who never actually performed on stage in Gilbert and Sullivan, the presentation, especially of the first two of the series to appear, was considered too sedate. A great improvement was made when veteran singer George Baker was invited to participate in the remainder of the series. Although never a member of the D'Oyle Carte Opera company that regularly staged these works until 1961, he had featured in an earlier recorded series, also conducted by Sir Malcolm ... Read More:
Release Date April 15, 1996
The Duke of Plaza-Toro's instruction to the heirs to the throne of Barataria to preserve a demeanor "still sufficiently dignified" answers a criticism levelled at this series of Savoy Operas recorded under the direction of Sir Malcolm Sargent. Lacking dialogue, and using major British singers who never actually performed on stage in Gilbert and Sullivan, the presentation, especially of the first two of the series to appear, was considered too sedate. A great improvement was made when veteran singer George Baker was invited to participate in the remainder of the series. Although never a member of the D'Oyle Carte Opera company that regularly staged these works until 1961, he had featured in an earlier recorded series, also conducted by Sir Malcolm ... Read More:
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