CD-Charts Position 31
Average Rating:

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Transform

Search: Stereotypes
by: Powerman 5000

Release Date June 09, 2003
here we have a band that havent written a single original tune in their recording career, some mean feat and yet still i absolutely love this band and especially this album, its the most rounded and definately the most consistant, put simply there are no bad songs on this album each and every one is like a breath of fresh air as they whip you up in easily the most complex display of riff work the band have ever done, which is good by the way, and then suck out your brain and make you theirs with some fantastic melodies. i love this band and i hope that someday you will to.

CD-Charts Position 32
Average Rating:

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Communique #9

Search: Stereotypes
by: Sportique

Release Date May 26, 2003
here we have a band that havent written a single original tune in their recording career, some mean feat and yet still i absolutely love this band and especially this album, its the most rounded and definately the most consistant, put simply there are no bad songs on this album each and every one is like a breath of fresh air as they whip you up in easily the most complex display of riff work the band have ever done, which is good by the way, and then suck out your brain and make you theirs with some fantastic melodies. i love this band and i hope that someday you will to.

CD-Charts Position 33
Average Rating:

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The Movement

Search: Stereotypes
by: Inspectah Deck

Release Date June 10, 2003
This isn't bad. It's certainly better than Meth's Tical 0, than Raekwon's Immobilarity, than Ghost's Bulletproof Wallets, than Cappadonna's Ying and Yang... but I'm not sure I'm going to be listening to it all that often.

There are some nice ideas, some interesting loops - particularly the deep horn and minimalist guitar sound in "That S**t" - there are some catchy choruses, and Deck's flow is smooth... it's just that he never breaks out of the couplet rhyming scheme, never gets as creative on the mic as some of his better known Wu brethren. And with few guest rappers making an appearance, the lack of variation soon leads to boredom. Nearly every track clocks in at 3:30 or more, but even this is too long! There just aren't enough ... Read More:

CD-Charts Position 34
Average Rating:

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Traffic Jam: Sound and Vision/+DVD

Search: Stereotypes
by: Sailor

Release Date August 04, 2008
This isn't bad. It's certainly better than Meth's Tical 0, than Raekwon's Immobilarity, than Ghost's Bulletproof Wallets, than Cappadonna's Ying and Yang... but I'm not sure I'm going to be listening to it all that often.

There are some nice ideas, some interesting loops - particularly the deep horn and minimalist guitar sound in "That S**t" - there are some catchy choruses, and Deck's flow is smooth... it's just that he never breaks out of the couplet rhyming scheme, never gets as creative on the mic as some of his better known Wu brethren. And with few guest rappers making an appearance, the lack of variation soon leads to boredom. Nearly every track clocks in at 3:30 or more, but even this is too long! There just aren't enough ... Read More:

CD-Charts Position 35
Average Rating:

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Protest In Disguise

Search: Stereotypes
by: Myself

Release Date June 17, 2008
This isn't bad. It's certainly better than Meth's Tical 0, than Raekwon's Immobilarity, than Ghost's Bulletproof Wallets, than Cappadonna's Ying and Yang... but I'm not sure I'm going to be listening to it all that often.

There are some nice ideas, some interesting loops - particularly the deep horn and minimalist guitar sound in "That S**t" - there are some catchy choruses, and Deck's flow is smooth... it's just that he never breaks out of the couplet rhyming scheme, never gets as creative on the mic as some of his better known Wu brethren. And with few guest rappers making an appearance, the lack of variation soon leads to boredom. Nearly every track clocks in at 3:30 or more, but even this is too long! There just aren't enough ... Read More:

CD-Charts Position 36
Average Rating:

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Feed the Breed

Search: Stereotypes
by: Oxymoron

Release Date November 19, 2001
This isn't bad. It's certainly better than Meth's Tical 0, than Raekwon's Immobilarity, than Ghost's Bulletproof Wallets, than Cappadonna's Ying and Yang... but I'm not sure I'm going to be listening to it all that often.

There are some nice ideas, some interesting loops - particularly the deep horn and minimalist guitar sound in "That S**t" - there are some catchy choruses, and Deck's flow is smooth... it's just that he never breaks out of the couplet rhyming scheme, never gets as creative on the mic as some of his better known Wu brethren. And with few guest rappers making an appearance, the lack of variation soon leads to boredom. Nearly every track clocks in at 3:30 or more, but even this is too long! There just aren't enough ... Read More:

CD-Charts Position 37
Average Rating:

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Grand Hotel

Search: Stereotypes
by: Curtis

Release Date December 20, 1999
This isn't bad. It's certainly better than Meth's Tical 0, than Raekwon's Immobilarity, than Ghost's Bulletproof Wallets, than Cappadonna's Ying and Yang... but I'm not sure I'm going to be listening to it all that often.

There are some nice ideas, some interesting loops - particularly the deep horn and minimalist guitar sound in "That S**t" - there are some catchy choruses, and Deck's flow is smooth... it's just that he never breaks out of the couplet rhyming scheme, never gets as creative on the mic as some of his better known Wu brethren. And with few guest rappers making an appearance, the lack of variation soon leads to boredom. Nearly every track clocks in at 3:30 or more, but even this is too long! There just aren't enough ... Read More:

CD-Charts Position 38
Average Rating:

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Feed the Breed [VINYL]

Search: Stereotypes
by: Oxymoron

Release Date November 12, 2001
This isn't bad. It's certainly better than Meth's Tical 0, than Raekwon's Immobilarity, than Ghost's Bulletproof Wallets, than Cappadonna's Ying and Yang... but I'm not sure I'm going to be listening to it all that often.

There are some nice ideas, some interesting loops - particularly the deep horn and minimalist guitar sound in "That S**t" - there are some catchy choruses, and Deck's flow is smooth... it's just that he never breaks out of the couplet rhyming scheme, never gets as creative on the mic as some of his better known Wu brethren. And with few guest rappers making an appearance, the lack of variation soon leads to boredom. Nearly every track clocks in at 3:30 or more, but even this is too long! There just aren't enough ... Read More:

CD-Charts Position 39
Average Rating:

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Stereo-Typical (A's, B's and Rarities)

Search: Stereotypes
by: Specials

Release Date August 21, 2000
`Stereo-typical' expands on the previous Specials collection `Singles' by adding `A's, B's & Rarities'.

Disc one is the best disc of the set containing all of the singles of the original Specials from debut pot boiler `Gangsters' through to epoch number one band closer `Ghost Town'. The chronological order also gives all of the b-sides and the whole of `The Special AKA Live EP' which also hit the number one spot. Also contained is the very rare Dutch only Release `Concrete Jungle (live)' b/w `Racquel'.

Disc two chronicles the band after Terry Hall, Neville Staples and Lynval Golding leave to form Fun Boy Three and the group continued under the revitalised name The Special AKA whose first release was the uncomfortable `The ... Read More:

CD-Charts Position 40
Average Rating:

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Bass Apocalypse, Vol. 2: The Final Battle

Search: Stereotypes
by: Bass Apocalypse

Release Date October 07, 1997
`Stereo-typical' expands on the previous Specials collection `Singles' by adding `A's, B's & Rarities'.

Disc one is the best disc of the set containing all of the singles of the original Specials from debut pot boiler `Gangsters' through to epoch number one band closer `Ghost Town'. The chronological order also gives all of the b-sides and the whole of `The Special AKA Live EP' which also hit the number one spot. Also contained is the very rare Dutch only Release `Concrete Jungle (live)' b/w `Racquel'.

Disc two chronicles the band after Terry Hall, Neville Staples and Lynval Golding leave to form Fun Boy Three and the group continued under the revitalised name The Special AKA whose first release was the uncomfortable `The ... Read More: