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Release Date March 06, 2000
The 52 recordings on display were all made between 1934-1939, and although to modern ears this may sound a lot, in fact it is only a tiny fraction of Ambrose's output during these years (even considering that between october 1937 and october 1938 no recordings were made at all due to a dispute between Decca and Ammy) and stresses the instrumental, swinging side of the band. The uninitiated might get the impression that Ambrose led a swing band that also played sweet, but of course it's the other way round. A beter all round picture of the band can be distilled from the ASV double cd or indeed the splendid nine volume Vocalion releases.
That said, the band here is in top form, collectively as well as solistically, tearing into many original ... Read More:
Release Date September 21, 1999
The 52 recordings on display were all made between 1934-1939, and although to modern ears this may sound a lot, in fact it is only a tiny fraction of Ambrose's output during these years (even considering that between october 1937 and october 1938 no recordings were made at all due to a dispute between Decca and Ammy) and stresses the instrumental, swinging side of the band. The uninitiated might get the impression that Ambrose led a swing band that also played sweet, but of course it's the other way round. A beter all round picture of the band can be distilled from the ASV double cd or indeed the splendid nine volume Vocalion releases.
That said, the band here is in top form, collectively as well as solistically, tearing into many original ... Read More:
Release Date August 01, 2005
The 52 recordings on display were all made between 1934-1939, and although to modern ears this may sound a lot, in fact it is only a tiny fraction of Ambrose's output during these years (even considering that between october 1937 and october 1938 no recordings were made at all due to a dispute between Decca and Ammy) and stresses the instrumental, swinging side of the band. The uninitiated might get the impression that Ambrose led a swing band that also played sweet, but of course it's the other way round. A beter all round picture of the band can be distilled from the ASV double cd or indeed the splendid nine volume Vocalion releases.
That said, the band here is in top form, collectively as well as solistically, tearing into many original ... Read More:
Release Date September 14, 1999
The 52 recordings on display were all made between 1934-1939, and although to modern ears this may sound a lot, in fact it is only a tiny fraction of Ambrose's output during these years (even considering that between october 1937 and october 1938 no recordings were made at all due to a dispute between Decca and Ammy) and stresses the instrumental, swinging side of the band. The uninitiated might get the impression that Ambrose led a swing band that also played sweet, but of course it's the other way round. A beter all round picture of the band can be distilled from the ASV double cd or indeed the splendid nine volume Vocalion releases.
That said, the band here is in top form, collectively as well as solistically, tearing into many original ... Read More:
Release Date April 10, 2000
Defense Mechanisms is Michael Harris's first solo album, recorded in 1991. Every track on the album is instrumental and focussed on heavy solo guitar. Although all of the songs on the album are very good, there are a high number of outstanding songs.
The title song, Defense Mechanisms is a memorable tune that showcases Harris's very deliberate and crisp sounding soloing in a lethargic but fast minor key. Tranz-Orbital Schizophrenia is more upbeat, with a 'classic' neoclassical heavy metal guitar style of the eighties. Mind or Heart is one of my least favourite songs on the album, as I feel it is a somewhat crude balad given Harris's very aggressive and sharp guitar sound and style, and I would gladly commit to say that balads are ... Read More:
Release Date April 12, 1999
Defense Mechanisms is Michael Harris's first solo album, recorded in 1991. Every track on the album is instrumental and focussed on heavy solo guitar. Although all of the songs on the album are very good, there are a high number of outstanding songs.
The title song, Defense Mechanisms is a memorable tune that showcases Harris's very deliberate and crisp sounding soloing in a lethargic but fast minor key. Tranz-Orbital Schizophrenia is more upbeat, with a 'classic' neoclassical heavy metal guitar style of the eighties. Mind or Heart is one of my least favourite songs on the album, as I feel it is a somewhat crude balad given Harris's very aggressive and sharp guitar sound and style, and I would gladly commit to say that balads are ... Read More:
Release Date April 13, 1990
Defense Mechanisms is Michael Harris's first solo album, recorded in 1991. Every track on the album is instrumental and focussed on heavy solo guitar. Although all of the songs on the album are very good, there are a high number of outstanding songs.
The title song, Defense Mechanisms is a memorable tune that showcases Harris's very deliberate and crisp sounding soloing in a lethargic but fast minor key. Tranz-Orbital Schizophrenia is more upbeat, with a 'classic' neoclassical heavy metal guitar style of the eighties. Mind or Heart is one of my least favourite songs on the album, as I feel it is a somewhat crude balad given Harris's very aggressive and sharp guitar sound and style, and I would gladly commit to say that balads are ... Read More:
Release Date April 01, 1995
I love this album! Great songs, good production, great voice and guitars. Awesome!!! Highlights: Long Time Dead, Face Down, Kiss of Death, Why Ain't I Bleeding, Killing Machine and Crystal Eyes.
The members of LAG for this Album (1994, Universal) were: Phil Lewis V Tracii Guns G Mick Cripps G/K Kelly Nickels B Michael Gershmina "bones" D
Release Date June 09, 1999
I love this album! Great songs, good production, great voice and guitars. Awesome!!! Highlights: Long Time Dead, Face Down, Kiss of Death, Why Ain't I Bleeding, Killing Machine and Crystal Eyes.
The members of LAG for this Album (1994, Universal) were: Phil Lewis V Tracii Guns G Mick Cripps G/K Kelly Nickels B Michael Gershmina "bones" D
Release Date April 13, 1990
I love this album! Great songs, good production, great voice and guitars. Awesome!!! Highlights: Long Time Dead, Face Down, Kiss of Death, Why Ain't I Bleeding, Killing Machine and Crystal Eyes.
The members of LAG for this Album (1994, Universal) were: Phil Lewis V Tracii Guns G Mick Cripps G/K Kelly Nickels B Michael Gershmina "bones" D
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