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Release Date June 09, 2003
The singing is clean, fresh and keen-edged, the strings are fantastically light (all cat-gut and no vib), the chamber organ is thoroughly spiffy, the authentic untunable trumpets are played in tune, and the recording is difficult to fault. The opening processional is absolutely awesome. There is an older King's College recording of substantially the same material, and this disc blows it away. This is probably a more historically informed recording, but that's just the means to the end: The music just sounds infinitely better done this way.
Release Date November 08, 2004
The singing is clean, fresh and keen-edged, the strings are fantastically light (all cat-gut and no vib), the chamber organ is thoroughly spiffy, the authentic untunable trumpets are played in tune, and the recording is difficult to fault. The opening processional is absolutely awesome. There is an older King's College recording of substantially the same material, and this disc blows it away. This is probably a more historically informed recording, but that's just the means to the end: The music just sounds infinitely better done this way.
Release Date March 22, 1990
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.
From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality ... Read More:
Release Date January 23, 2006
I received this from Amazon UK a week ago and am very pleased with it. It is beautifully recorded and all the solo singers adhere to the pure vibrato-free style of the period. The historical orchestra is well balanced with some delectable archlutes and theorbos to the fore, and the choir is precise with good diction and tuning. A full libretto is enclosed (unusual at mid-price nowadays) with two scholarly essays about the sources used and decisions made in constructing the performance. I didn't find the sound effects as intrusive as my fellow reviewer.
All in all I think Purcell himself would have relished this performance and would recommend it to anyone seeking a first version of the opera.
Release Date June 12, 2000
I received this from Amazon UK a week ago and am very pleased with it. It is beautifully recorded and all the solo singers adhere to the pure vibrato-free style of the period. The historical orchestra is well balanced with some delectable archlutes and theorbos to the fore, and the choir is precise with good diction and tuning. A full libretto is enclosed (unusual at mid-price nowadays) with two scholarly essays about the sources used and decisions made in constructing the performance. I didn't find the sound effects as intrusive as my fellow reviewer.
All in all I think Purcell himself would have relished this performance and would recommend it to anyone seeking a first version of the opera.
Release Date January 07, 1997
I received this from Amazon UK a week ago and am very pleased with it. It is beautifully recorded and all the solo singers adhere to the pure vibrato-free style of the period. The historical orchestra is well balanced with some delectable archlutes and theorbos to the fore, and the choir is precise with good diction and tuning. A full libretto is enclosed (unusual at mid-price nowadays) with two scholarly essays about the sources used and decisions made in constructing the performance. I didn't find the sound effects as intrusive as my fellow reviewer.
All in all I think Purcell himself would have relished this performance and would recommend it to anyone seeking a first version of the opera.
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