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Release Date March 14, 1995
Echoing the dry, black humor of the Altman classic, this CD acts as a reminder of wonderful scenes such as when Hotlips earned her name, and the famous suicide scene, not to mention the wonderful "Suicide is Painless" song which is as distinctive, and memorable as M*A*S*H itself.
Release Date October 03, 1994
Echoing the dry, black humor of the Altman classic, this CD acts as a reminder of wonderful scenes such as when Hotlips earned her name, and the famous suicide scene, not to mention the wonderful "Suicide is Painless" song which is as distinctive, and memorable as M*A*S*H itself.
Release Date August 12, 2008
Echoing the dry, black humor of the Altman classic, this CD acts as a reminder of wonderful scenes such as when Hotlips earned her name, and the famous suicide scene, not to mention the wonderful "Suicide is Painless" song which is as distinctive, and memorable as M*A*S*H itself.
Release Date March 17, 1995
Echoing the dry, black humor of the Altman classic, this CD acts as a reminder of wonderful scenes such as when Hotlips earned her name, and the famous suicide scene, not to mention the wonderful "Suicide is Painless" song which is as distinctive, and memorable as M*A*S*H itself.
Release Date June 01, 1997
'The Innocent Age', Dan Fogelberg's seventh album and his most ambitious, was issued in 1981, during his most commercially successful period. It could be loosely described as a concept album, although all the tracks can easily stand alone in their own right. Lyrically, it comprises a series of philosophical musings on the meaning of life from cradle to grave (and why not, since most rock music doesn't even attempt such subject matter), and Fogelberg's style is poetic enough to be taken seriously but not heavy enough to seem pretentious. The musical backings are varied in style, though they basically revisit the country-rock territory very familiar from Dan's earlier albums - the most unusual track is the ethnic-flavored opening song 'Nexus', ... Read More:
Release Date
'The Innocent Age', Dan Fogelberg's seventh album and his most ambitious, was issued in 1981, during his most commercially successful period. It could be loosely described as a concept album, although all the tracks can easily stand alone in their own right. Lyrically, it comprises a series of philosophical musings on the meaning of life from cradle to grave (and why not, since most rock music doesn't even attempt such subject matter), and Fogelberg's style is poetic enough to be taken seriously but not heavy enough to seem pretentious. The musical backings are varied in style, though they basically revisit the country-rock territory very familiar from Dan's earlier albums - the most unusual track is the ethnic-flavored opening song 'Nexus', ... Read More:
Release Date July 15, 2002
'The Innocent Age', Dan Fogelberg's seventh album and his most ambitious, was issued in 1981, during his most commercially successful period. It could be loosely described as a concept album, although all the tracks can easily stand alone in their own right. Lyrically, it comprises a series of philosophical musings on the meaning of life from cradle to grave (and why not, since most rock music doesn't even attempt such subject matter), and Fogelberg's style is poetic enough to be taken seriously but not heavy enough to seem pretentious. The musical backings are varied in style, though they basically revisit the country-rock territory very familiar from Dan's earlier albums - the most unusual track is the ethnic-flavored opening song 'Nexus', ... Read More:
Release Date January 21, 2002
'Greatest hits' would have been a more appropriate title, since although many of these tracks are brilliant, much of Dan Fogelberg's very best work would probably not have been suitable for single release. Because of the folky-ballad or country-rock songs chosen as his singles this collection tends to give the impression of Dan being a rather lightweight and overly sentimental artist. This is certainly not true, as his dedicated fans know. However, in this collection only the presence of 'Netherlands' represents the less commercial, more serious side of his work.
For its coverage of Dan's hit singles this collection can hardly be faulted, apart from the inexplicable omission of 'The power of gold', a very strong early hit. In comparison 'She ... Read More:
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