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Release Date February 28, 2000
Henry Purcell's (1659-1695) opera "Dido and Aeneas" tells, in approximately one hour, of the frustrated passion of Dido, queen of Carthage, for the Trojan hero Aeneas, whose destiny it is to found Rome. The opera is based upon Virgil's Aeneid with a highly compressed libretto by Nahum Tate. Purcell's opera includes three parts for women and only one, Aeneas, for a male. The brief opera is in three Acts. According to "The New Grove Book of Operas", Purcell based his work on an earlier English opera, "Venus and Adonis" by John Blow. With its heavy emphasis on dance and chorus, "Dido and Aeneas" also draws heavily on French baroque opera.
This reissue of a 1961 recording of a young Janet Baker in the role of Dido is an outstanding ... Read More:
Release Date
Henry Purcell's (1659-1695) opera "Dido and Aeneas" tells, in approximately one hour, of the frustrated passion of Dido, queen of Carthage, for the Trojan hero Aeneas, whose destiny it is to found Rome. The opera is based upon Virgil's Aeneid with a highly compressed libretto by Nahum Tate. Purcell's opera includes three parts for women and only one, Aeneas, for a male. The brief opera is in three Acts. According to "The New Grove Book of Operas", Purcell based his work on an earlier English opera, "Venus and Adonis" by John Blow. With its heavy emphasis on dance and chorus, "Dido and Aeneas" also draws heavily on French baroque opera.
This reissue of a 1961 recording of a young Janet Baker in the role of Dido is an outstanding ... Read More:
Release Date November 11, 2003
Henry Purcell's (1659-1695) opera "Dido and Aeneas" tells, in approximately one hour, of the frustrated passion of Dido, queen of Carthage, for the Trojan hero Aeneas, whose destiny it is to found Rome. The opera is based upon Virgil's Aeneid with a highly compressed libretto by Nahum Tate. Purcell's opera includes three parts for women and only one, Aeneas, for a male. The brief opera is in three Acts. According to "The New Grove Book of Operas", Purcell based his work on an earlier English opera, "Venus and Adonis" by John Blow. With its heavy emphasis on dance and chorus, "Dido and Aeneas" also draws heavily on French baroque opera.
This reissue of a 1961 recording of a young Janet Baker in the role of Dido is an outstanding ... Read More:
Release Date June 02, 2008
Henry Purcell's (1659-1695) opera "Dido and Aeneas" tells, in approximately one hour, of the frustrated passion of Dido, queen of Carthage, for the Trojan hero Aeneas, whose destiny it is to found Rome. The opera is based upon Virgil's Aeneid with a highly compressed libretto by Nahum Tate. Purcell's opera includes three parts for women and only one, Aeneas, for a male. The brief opera is in three Acts. According to "The New Grove Book of Operas", Purcell based his work on an earlier English opera, "Venus and Adonis" by John Blow. With its heavy emphasis on dance and chorus, "Dido and Aeneas" also draws heavily on French baroque opera.
This reissue of a 1961 recording of a young Janet Baker in the role of Dido is an outstanding ... Read More:
Release Date June 02, 2008
Henry Purcell's (1659-1695) opera "Dido and Aeneas" tells, in approximately one hour, of the frustrated passion of Dido, queen of Carthage, for the Trojan hero Aeneas, whose destiny it is to found Rome. The opera is based upon Virgil's Aeneid with a highly compressed libretto by Nahum Tate. Purcell's opera includes three parts for women and only one, Aeneas, for a male. The brief opera is in three Acts. According to "The New Grove Book of Operas", Purcell based his work on an earlier English opera, "Venus and Adonis" by John Blow. With its heavy emphasis on dance and chorus, "Dido and Aeneas" also draws heavily on French baroque opera.
This reissue of a 1961 recording of a young Janet Baker in the role of Dido is an outstanding ... Read More:
Release Date December 01, 1995
Henry Purcell's (1659-1695) opera "Dido and Aeneas" tells, in approximately one hour, of the frustrated passion of Dido, queen of Carthage, for the Trojan hero Aeneas, whose destiny it is to found Rome. The opera is based upon Virgil's Aeneid with a highly compressed libretto by Nahum Tate. Purcell's opera includes three parts for women and only one, Aeneas, for a male. The brief opera is in three Acts. According to "The New Grove Book of Operas", Purcell based his work on an earlier English opera, "Venus and Adonis" by John Blow. With its heavy emphasis on dance and chorus, "Dido and Aeneas" also draws heavily on French baroque opera.
This reissue of a 1961 recording of a young Janet Baker in the role of Dido is an outstanding ... Read More:
Release Date December 20, 2005
Henry Purcell's (1659-1695) opera "Dido and Aeneas" tells, in approximately one hour, of the frustrated passion of Dido, queen of Carthage, for the Trojan hero Aeneas, whose destiny it is to found Rome. The opera is based upon Virgil's Aeneid with a highly compressed libretto by Nahum Tate. Purcell's opera includes three parts for women and only one, Aeneas, for a male. The brief opera is in three Acts. According to "The New Grove Book of Operas", Purcell based his work on an earlier English opera, "Venus and Adonis" by John Blow. With its heavy emphasis on dance and chorus, "Dido and Aeneas" also draws heavily on French baroque opera.
This reissue of a 1961 recording of a young Janet Baker in the role of Dido is an outstanding ... Read More:
Release Date June 16, 1998
I've been a Monster Magnet fan since their very early stuff on Glitterhouse Records, but this album sucks (as do their subsequent ones)!
Its just not heavy enough and there's too big a departure from the Hawkwind/Sabbath/Stoner Rock template - it just sounds weak.
Wolfmother proved that they could do a successful homage to big dumb 70s Stoner Rock and they've stolen Monster Magnet's crown - sorry Dave, but its the Emperor's new clothes on this one and the positive reviews seem to come from post not pre-Dopes to Infinity fans.
Stick to the triumvirate of Spine of God, Superjudge and Dopes and don't waste your money on this.
Release Date May 21, 2001
I've been a Monster Magnet fan since their very early stuff on Glitterhouse Records, but this album sucks (as do their subsequent ones)!
Its just not heavy enough and there's too big a departure from the Hawkwind/Sabbath/Stoner Rock template - it just sounds weak.
Wolfmother proved that they could do a successful homage to big dumb 70s Stoner Rock and they've stolen Monster Magnet's crown - sorry Dave, but its the Emperor's new clothes on this one and the positive reviews seem to come from post not pre-Dopes to Infinity fans.
Stick to the triumvirate of Spine of God, Superjudge and Dopes and don't waste your money on this.
Release Date February 08, 1999
I've been a Monster Magnet fan since their very early stuff on Glitterhouse Records, but this album sucks (as do their subsequent ones)!
Its just not heavy enough and there's too big a departure from the Hawkwind/Sabbath/Stoner Rock template - it just sounds weak.
Wolfmother proved that they could do a successful homage to big dumb 70s Stoner Rock and they've stolen Monster Magnet's crown - sorry Dave, but its the Emperor's new clothes on this one and the positive reviews seem to come from post not pre-Dopes to Infinity fans.
Stick to the triumvirate of Spine of God, Superjudge and Dopes and don't waste your money on this.
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