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Release Date February 26, 2008
This could be Pentangle's best album - 'Basket of Light' is the only other contender, but this one has much more material on it.
The first disc was recorded live in 1968 and the second is from the studio. The live show is great, with a mix of folk standards, originals and instrumentals showing great dexterity and skill from all involved. Bert Jansch and John Renbourn's version of Mingus' 'Goodbye Pork Pie Hat' is a standout instrumental tune - very relaxing and melodic. The studio set is a strong album in its own right, with highlights (for me) being the guitar duel of 'In Time', the morality tale 'Sovay' and the grooving 'I've Got A Feeling', which borrows the chord sequence from Miles Davis' 'All Blues'.
Release Date February 26, 2008
This is a very enjoyable Pentangle album, although to be honest I find Jack Orion a rather drawn out & dull affair. I'd rather a couple more tracks in the vein of Cruel Sister & When I Was In My Prime. However, it's well worth adding to one's collection for the other tracks alone; it was a brave departure for Pentangle from their usual fare, and it's great that they persued musical integrity over fame. This is certainly an album that deserves a lot more praise than it has ever had.
Release Date February 26, 2008
Of all the Pentangle albums, this is by far my favourite - if you could add Cruel Sister & Let No Man Steal Your Thyme to it, it would be perfect! Sally Free & Easy is sublime, and the only song that betters it in my mind is Willy O'Winsbury (the tune of which will be familiar to Fairport fans as it was used to set the words of Farewell Farewell to). The only song I'm not too keen on is the Lady of Carlisle, but then you can't have everything!
Release Date March 03, 2003
Much of this album serves for me as a testimony to the wonderful drumming of Martin Lamble, that feathery touch and those rolls, often playing underneath the music, or just riding the beat. There was something shimmering (and almost held-back) in the music of their live gigs, with the texture lying between the drums and the bass playing. Lamble was an extraordinary player for a 19 year old. This album is also a melancholy listen: I still remember hearing them shortly afterwards with Dave Mattacks's embarassing drumming, and the music suddenly sounded so crude and so unlovely.
Release Date May 06, 2002
"Liege and Lief" was Fairport's first album that was almost entirely inspired by traditional British music. The band had previously released 3 albums during a relatively short period of time, and the repertoire had been a mixture of pop, rock and American and British folk.
In May 1969 after the recording of the previous album "Unhafbricking" the band had a terrible road accident which took the lives of drummer Martin Lamble and Richard Thompson's girlfriend Jeannie.
Other band-members were injured in the crash and the group were close to splitting up, but with their wounds healing up they eventually decided to continue with new members Dave Swarbrick and Dave Mattacks.
They did not want to perform their old material ... Read More:
Release Date February 26, 2008
so you've got bert jansch one of the greatest folk guitarists or guitarists of all time and john renbourne the most immatated guitarist of his time,jacqui mcshee who i can only discribe as the beth orton of her time (she also shares likeness' with nico from the velvet underground), and danny thompson on bass and terry cox on drums and what do you get?...possibly the greatest fusions of folk, jazz, blues of all time, possibly even one of the greatest albums of its time. This record is quintessentially sixties. If you like your blues, your folk, your jazz, buy this album. I love it and you will too, i can almost guarantee.
Release Date October 01, 2001
Richard Thompson had always stood out in earlier Fairport albums with his songwriting and guitar work but it was this album where he was essentialy taking the band where he wanted it to go. That's not to say the other members don't make thier mark, Dave Swarbick performs some of his best violin solos on this album and Simon Nicol begins making his mark as a singer and guitarist. Obviously, none of the band could compare to Sandy Denny on vocals, so they use vocal harmonies instead consisting usually of Richard Thompson, Simon Nicol, Dave Swarbick and Ashley Hutchings replacement Dave Pegg who create a beutiful vocal track by singing together. The Stand out tracks on this album are the bouncy opener "Walk Awhile" the most jolly and carefree song fairport ... Read More:
Release Date May 02, 2005
Listening to Sandy Denny's voice makes you realise how much the music industry short-changes us these days. Sublime and unaffected, young yet embedded with wisdom, it sweeps you away like none of today's wannabes ever will. 'Sandy' also benefits from first class arrangements, production and musicianship, with Richard Thompson and Dave Swarbrick adding valuable guitar and violin respectively. Sneaky Pete contributes some of his best pedal steel playing too, lending a country tinge to some of the tracks. By and large, this is folk at the edge of rock. 'It'll Take A Long Time' is an expansive, epic opening, while Denny's take on 'Tomorrow Is A Long Time' is one of the best Dylan covers you'll hear.
There are many breathtaking passages, such as the multi-tracked ... Read More:
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