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Release Date March 03, 2003
Amazingly good album, every track is strong, no filler, very inspired, if you're new to AC/DC start here along with Highway To Hell.
Release Date May 05, 2003
No matter how often I listen to this album, it never ceases to blow me away. It is by far the best record the band have done, and is one of my favourite albums ever. Each song fizzes with energy, and it never lets up. The raw sound is exactly what AC/DC are about, the whole album sounds as if it's just been recorded live. Every song on this album is a classic.
Release Date March 03, 2003
Being a rock guitar freak of two decades' standing, it is with embarrassment that I confess to only having heard this record for the first time in my 39th year.
Clearly I went to the wrong school and hung out with the wrong, self conscious types, and stupidly we looked askance at this bogan rock. More fool us.
What a remarkable, single minded, self-assured, exuberant record this is, and what a master stroke for a bunch of scot-inflected teenaged aussies to have settled on such a perceptively observed formula and executed on it so flawlessly (and stuck with it for the thirty years since!). All of rock's evolved extravagant frippery is discarded or reduced down to its elements. The drums mark out a thumping 4/4 on-beat; ... Read More:
Release Date May 05, 2003
This album is classic AC/DC and full of the punchy, energetic, anthemic rock we're all used to from the lads. And of course the vocals are as distinctive as ever. There is not a lot more to say that has not already been said by other reviewers other than this is a must-have album for any AC/DC fan and for anyone who likes their rock.
Let's Get It Up, Inject The Venom, Spellbound and Night Of The Long Knives are personal favourites, and I defy you not to break out your air guitar.
Release Date May 05, 2003
No seriously why? This album is amazing. This one of AC/DCs best albums. This is more bluesy rock n roll and the blues is very evident in this album. Every song on this album gets better. When you listen to each song you think can this get any better and it does. Best songs are Downpayment Blues, Riff Raff, Rock N Roll Damnation & What's Next The Moon?.
This is a must for every AC/DC fan this should be one of AC/DCs most popular albums ever but sadly it isn't it's certainly one of their best. This is a great start to AC/DC it's one of their. Why it's not more known is beyond me but we'll have to deal with it. Buy this Rock classic if you're a rock n roll fan. LET THERE BE ROCK!!!!!!!!!
Release Date March 03, 2003
I first heard this album back in the summer of 1982 and it sounds as good now as it did then. I was already familiar with For Those About to Rock (We Salute You) and I'd heard bits of Highway to Hell and Back in Black but this was what converted me. The songs on this album are infantile, puerile, barely adolescent... and absolutely brilliant.
From the crash-bang-thump intro to the swaggering title track to the fade out at the end of the distinctly sleazy and tasteless Squealer this is pure, unbridled rock'n'roll joy. The album is full to the brim with classic tracks: the sleazy Love at First Feel, the behind-the-bike-shed single-entendre-laden Big Balls, Rocker and Problem Child ("...and my mother hates me!") coming on like Chuck Berry's lovechild ... Read More:
Release Date October 20, 2008
AC/DC bounce back with an album full of fun and inspiration. Featuring their most catchy songs since the early 80's, the band have gone for hooks and melodies aplenty, apparently encouraged by producer Brendan O'Brien, who has also coaxed a more soulful, rather less strained performance from a very impressive Brian Johnson. Johnson, aged 60 when Black Ice was recorded, rolls back the years with a voice which whilst weathered, sounds strong and of more texture than for many a year. He sounds powerful and shrill in the style of his 80's heyday on tunes like Big Jack and Spoilin' For A Fight, adds his traditional gritty edge to superb, bluesy lines on Decibel, and just sounds altogether fantastic on the anthemic Rock 'n' Roll Train and Money Made.
Release Date May 05, 2003
A new decade, a new drummer, a new producer and a pretty damn good effort from AC/DC. Production-wise, The Razors Edge harks back to HTH, BIB and FTATR. Bruce Fairbairn adds polish to the proceedings without being too obtrusive and the songs, whilst not being all-time DC classics, crackle along nicely. Standouts include Moneytalks, Are You Ready and, of course, Thunderstruck - probably the one bona fide classic on the album.
My one criticism is directed at Chris Slade. Like Simon Wright, Slade is a perfectly good rock'n'roll drummer but he just doesn't quite fit into the AC/DC groove. He drives the songs rather than going with them. However this is less evident in the studio than on stage - I couldn't believe how fast he played some of the old Bon era material. His sound ... Read More:
Release Date January 24, 2005
Strong, heavy album, superbly produced by Rick Rubin who has captured the Classic AC/DC sound better than anyone since the days of Mutt Lange.
Favourites are Furor, Hail Caesar (with a great lead break, and superb riffs!) and the in your face, Ballbreaker with it's simple yet brutal riff. Johnson's voice is terrific here, and on Hail Ceasar, there's a few lines where he uncannily sounds just like the late Bon Scott.
As I've said, this album sounds fantastic; uncluttered, unfussy and dynamic. Great drum sound from the equally unfussy and dynamic, Phil Rudd!
Most of the later AC/DC albums contain some filler, but it's forgivable with great stompers like Hail Caesar!
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