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Release Date August 22, 2005
Ooh La La. 10/10
Lovely 2 C U. 10/10
Ride a White Horse. 10/10
You Never Know. 9/10
Let It Take You. 7/10
Fly Me Away. 10/10
Slide In. 9.5/10
Koko. 8/10
Satin Chic. 9.5/10
Time Out From the World. 9/10
Number 1. 9/10
This album at 11 tracks long, 43 minutes, is extremely short, could've been longer but the musical quality of this album is astonishing, perfectly flawless dance music. Though beware of "Time Out From the World" and "Let It Take You" because they are nothing like the rest of the album, "Time Out From the World" is the better of the 2.
Release Date October 16, 2006
Usually I approach remixes with trepidation. In many cases I feel they add little to the song. At best they are an unrecognizeable mess of tempo thrown together by some dance artiste I feel I should have heard of and feel eternally ashamed that I haven't or they are filled with more padding than the wings of my first car.
This album is different. I feel here as if there has been some effort to keep the spirit of each song if not enhance it. Flaming Lip's take on Satin Chic alone is worth the price of admission not to mention one of my favs off the album Fly Me Away.
Recommended though I have a feeling it's going to be best appreciated by existing fans.
If you like "Supernature", "Black Cherry", and "Seventh Tree", have "Felt Montain". Obviously it's the weakest out of the 4, though really relaxing and entres you into a total state of calm.
Release Date February 25, 2008
This album is exquisite, beautiful, wonderful. A truly lovely piece of work. It sounds like Goldfrapp are developing as artistes and they're playing stuff they're much more into. You can't really compare it to their other albums; Black Cherry is a sublime opus that stands on its own. I can't say how good this record is; it's just great! If you like Goldfrapp, you might like Broken Social Scene.
Release Date February 25, 2008
For all those who loved Felt Mountain and were horrified at Goldfrapp's complete departure from it with 'Black Cherry' (well, I was horrified, anyway!), you're sure to enjoy this album.
I guess it's unreasonable to expect any band to keep churning out the same material - except for Status Quo who got away with it for years, how I do not know. So I would describe 'Seventh Tree' as a beautiful return to Goldfrapp's original album, but with a slight difference. It is not as dark as Felt Mountain can be in places, but every bit as deep. I would also say it's the most gentle work Goldfrapp has produced.
In short, if you loved Felt Mountain (and loathed Black Cherry) you will love this album.
Release Date November 03, 2008
If you have the previous boxed edition of this album you have to buy a duplicate copy of the cd just to get hold of the dvd!
I suppose the state of cd sales is such that record companies feel they have to rip off customers to get what they can out of us.
Perhaps Goldfrapp might rethink the way they sell their music to their fans in future?
Release Date September 11, 2000
Alison has a great voice and they are both good writers;
The only bad thing is that the DVCVD will play only on Mac OS 9 (or Classic-which are both now long gone.)
Release Date July 21, 2003
Imagine a motorway pile up between T rex, donna summer's love to love you, dubnobass era underworld, gary glitter, early 80's synth tunes like Warm Leatherette, Morton Sherman and Belluci's Belgian New Beat and Blondie's rapture. Add a pinch of je ne sais quoi and you have the years sexiest record. If it doesn't make you tap your toe or more to the point feel horny in a rather wicked way, then you are probably dead or someone who owns a Nissan Micra and a Michael Bolton CD.
I used to find Goldfrapp's leftover from a Parisienne spy movie schtick a little tiresome after about half a track, despite the wicked chord changes. Their evolution is a revelation.
Release Date February 18, 2002
The Pilots/Lovely Head single was the fifth and final release off Goldfrapp's stunning multi award-winning debut 'Felt Mountain'.
The single version of 'Pilots', which was renamed as 'Pilots (On A Star)' is absolutely beautiful. Alison's vocals are on top form as usual, very subtle and quiet and even hypnotising, layered on top of a lush, dreamy soundscape of strings and horns. As the song progresses, the vocals get ligher and at the end are taken to angelic heights as they softly fade into the music. The single mix is largley similar to the album version, bar the added sounds and instruments here and there, the faster pace of the song and the faded ending.
The next track is a remix of the album's first single and other A side, 'Lovely Head'. The track starts out very ... Read More:
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