CD-Charts Position 1
Average Rating:

.

Mezzanine: Limited Edition

by: Massive Attack

Release Date April 20, 1998
Teardrop is obviously the stand out song from this album and is most likely the soul reason why people buy it, but whilst being quite different from the other tracks it fits in somehow. This is the kind of album you can just go out to, travel, and it suits urban surroundings so much its almost cinematic. Whilst Angel and Teardrop are the strongest songs, Dissolved Girl and Rising Son both have bags of catchy melody. Rising Son and Group Four have similar patterns in that they both end up breaking down the song into one very catchy riff of some sort, making it the pinnacle of the song. Although the album does sound very drug inducing, it can be enjoyed either way really. One downside to the album is some of the repetitiveness from one of the ... Read More:

CD-Charts Position 2
Average Rating:

.

Dummy

by: Portishead

Release Date June 18, 1999
I've heard this record for the first time today,(been on another planet!) and the first thing that struck me about it was how the vocal is so similar to my favourite female singer, the little known (in this country}, HEATHER NOVA. I'm not a fan of much electronic music, and I was particularly irritated by the 'vinyl scratching' that appears in several of the songs, however mainly because of the vocal and the songs that don't involve the scratch I know i'm going to really like this album. If you dont know HEATHER NOVA, do me (and yourself)a favour and go have a listen. If you love Beth Gibbons vocal with 'trip hop' music, you will be blown away by HEATHER NOVA with a live band. I suggest 'oyster' as the first album to try, or 'storm' if you prefer ... Read More:

CD-Charts Position 3
Average Rating:

.

Third

by: Portishead

Release Date April 28, 2008
Much of the time bands who have gone into hibernation return with albums which are mere shadows of their previous work. This album is the complete opposite and successfully captures the eerie tones which occupy many of their best songs. I simply cannot pick a favourite from an album which oozes style.

CD-Charts Position 4
Average Rating:

.

Portishead

by: Portishead

Release Date June 18, 1999
harrowing, infectual and experimental sounds make this a far superior offering to the pedestrian dummy.thats no too say dummy is lazy or derivative it has some great tracks and a consistant theme but i think it never really climaxed like this self titled lp. cringeworthy certainly not gorgeous and expressive absolutely rarely groups have the integrety to produce music that attempts something new and in doing so pushes the boundaries for a greater experience in their second helping i strongly reccomend this for anyone who is ready to emerce themselves in the greatness this sublime album has to offer

raf!!

CD-Charts Position 5
Average Rating:

.

100th Window

by: Massive Attack

Release Date February 10, 2003
Great album - it was not going to live up to Mezzanine but what would? Take this album on its own merits and its a real pleasure to listen to and as long as you are not too hung up on their past glories you will enjoy. Butterlfly caught and Special cases are excellent.

CD-Charts Position 6
Average Rating:

.

Blue Lines

by: Massive Attack

Release Date June 01, 1991
Should i ever be asked to name the album i consider to be the most influential in the history of music( given that i have,nt heard every album in the history of music) i would plump for Massive Attacks 1991 debut album Blue Lines. Trip hop years before the term became synonymous with ....well anything , it triggered a shift in dance and electronic music to what the music critic Simon Reynolds called "a more meditational sound " running ( or maybe loping ) at lower tempo,s .
The band merged black music influences like hip -hop , reggae and soul but allied them to the more ambitious prog aspects of bands like Pink Floyd and King Crimson( without the middle class patina) and the savvy dub tones of Public Image. The music is infused with an empirical funkiness ... Read More:

CD-Charts Position 7
Average Rating:

.

In Rainbows

by: Radiohead

Release Date December 31, 2007
Just how many more albums can Radiohead make of such quality? Other bands become very samey, or try to change and fail. Somehow Radiohead manage to change whilst staying the same and keep producing top quality albums. This album just gets better and better with each listen, and in my view a Radiohead classic already.

CD-Charts Position 8
Average Rating:

.

Seventh Tree

by: Goldfrapp

Release Date February 25, 2008
For all those who loved Felt Mountain and were horrified at Goldfrapp's complete departure from it with 'Black Cherry' (well, I was horrified, anyway!), you're sure to enjoy this album.

I guess it's unreasonable to expect any band to keep churning out the same material - except for Status Quo who got away with it for years, how I do not know. So I would describe 'Seventh Tree' as a beautiful return to Goldfrapp's original album, but with a slight difference. It is not as dark as Felt Mountain can be in places, but every bit as deep. I would also say it's the most gentle work Goldfrapp has produced.

In short, if you loved Felt Mountain (and loathed Black Cherry) you will love this album.

CD-Charts Position 9
Average Rating:

.

The Seldom Seen Kid

by: Elbow

Release Date March 17, 2008
bought this album on the streangth of hearing the single ( last track on album ) and I have to say how disapointed I was with the reat of the album, only buy this cd if your a fan of the group themselves

CD-Charts Position 10
Average Rating:

.

Protection

by: Massive Attack

Release Date September 26, 1994
I remember well the period of the early nineties - and the sounds that were in my life then. Much of my leisure time was spent clubbing: fast-paced, loud, excitable and generally full-on. It was a good time and the music I heard when I was out was fantastic. But I often felt some "humanity" was missing. During those 'down times' I'd drop Protection onto my record player and slide back into a feeling of warmth, honesty and embracing lyrics. "Lyrics!" I thought, that's what's was missing! What was the point otherwise? It was simply music only of the 'thrill factor'. Of course I listened to other classics that my collection contained, but this was the sound at the time. And Massive Attack had seemed to tap into the zeitgeist.

There was a brooding sense of darkness in these sounds, an almost brutal ... Read More: